CDs of Note – Short Takes

Taking a look at new CDs by Eric Alexander, George Cotsirilos, Roberto Magris, David K. Mathews, Hristo Vitchev, and the trio Hart, Scone & Albin…..

California-based jazz singer builds his fan base one gig at a time

Kenny Washington

Jazz singer Kenny Washington has it all, musically. The diminutive vocalist, based for more than two decades in Oakland, California, has range, fluidity and a natural sense of swing. He grew up singing gospel music as a child in New Orleans - and that music's passion fuels his soulful artistry.

His creativity - singing, scatting and even whistling - was on full display on Saturday, January 27 when he was the featured guest with the Dan Miller-Lew DelGatto quintet at the Sidney and Berne Davis Art Center in downtown Fort Myers.The band includes Miller on trumpet, Del Gatto on tenor sax, Joe Delaney on piano, Don Mopsick on bass and Tony Vigilante on drums.

An all-star evening of exuberant swing

Tenor saxophonist Harry Allen and trombonist Wycliffe Gordon headlined an evening of exuberant swing Wednesday night, January 24 at the Venice FL Performing Arts Center and their all-star band delivered the goods.

Gordon, Allen

The horn players were joined by the terrific rhythm section of Eddie Metz Jr. (drums), Nicki Parrott (bass and vocals) and Rosanno Sportiello (piano), plus special guest Stephanie Nakasian on vocals.

Gordon, Parrott, Allen

Gordon shifted with ease between trombone, gritty vocals and slide trumpet throughout the night in this, his first appearance at a concert by the South County Jazz Club, which co-produced the event with the Venice Institute for Performing Arts. 

Allen is a premiere ambassador of mainstream swing tenor sax. His finest moment was sharing a beautiful original ballad," Old Joe," which he later said was inspired by reading a short story. Allen has evolved into a fine composer as well as interpreter of jazz standards and Brazilian jazz.

Looking ahead: Southwest Florida jazz preview (updated)

Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through March.

The global language of jazz

The 38th annual Sarasota Jazz Festival is fast approaching. This year's concerts are scheduled Thursday, March 8 through Saturday March 10 - with a matinee jam-style session scheduled on Saturday before the evening's finale.This year's event has an ambitious and interesting theme. It's called  A World of Jazz. The festival will present a wide array of domestic and global jazz talent, with many first-time performers on the bill. This is a good thing.

Celebrating Latin jazz with some clever twists

Pianist Joe Delaney spent most of his twenties living and working in the the U.S. Virgin Islands. During those eight years on St. Thomas back in the 1980s, he was also able to gig throughout the Caribbean and in South America, particularly Brazil. He soaked up the varied rhythms and flavors of Latin jazz.

Joe Delaney

While best known for playing straight-ahead swing and the twists and turns of bebop, we can credit those formative years in the Caribbean for the Massachusetts native's mastery of Latin jazz. That side of his musical palette was on vibrant display on Monday, January 8, in Port Charlotte, Florida, when Delaney performed with his Latin Caribbean All-Stars for the Charlotte County Jazz Society.

2017: The Year in Jazz

Allaboutjazz.com has published my look back at the past year in the jazz world at-large.In brief summation, 2017 was a year of great achievements, challenges to gender inequality, scandal and losses.

In wading through the many occurrences,  there was much to consider, enjoy and recall. Dig in as you wish - and take it a section or two at a time, if needed. 

This edition tops out at more than 8,000 words. Whew.

Have yourself a Merry - and jazzy - Christmas

Best wishes to you, your families and friends for a very Merry Christmas 2017, joyous New Year - and hopeful 2018 - from the Jazz Notes staff.  
A toast to you all as we share some vintage musical cheer from among our holiday favorites. Raise your glass, whatever your favorite libation!
The holiday season would not be complete without the delightful animated video of The Drifters’ doo-wopping their way through “White Christmas” with feeling. This animated cartoon by Joshua Held is excellent - and quite special.

CDs of Note – Short Takes

Taking a look at new CDs by Rahsaan Barber, Ernesto Cervini, Gary Meek, Marcus Monteiro, the Lewis Porter/Phil Scarff Group, Jeff Rupert with Veronica Swift, and San Francisco String Trio….

This edition empties the Jazz Notes review bin for 2017. These autumn arrivals caught my ear. 

T'is the season...

Guitarist Nate Najar loves the Christmas season. He brought his annual Jazz Holiday concert program to Sarasota FL on Friday, December 15, one night after the same sextet performed at the Palladium Theater in St. Petersburg.

Nate Najar

Najar was joined by John Lamb on bass, Mark Feinman on drums, James Suggs on trumpet, Jeff Rupert on tenor sax and special guest Chuck Redd on vibes.

Chuck Redd

Most of the concert featured instrumental holiday fare - done with a jazz twist, of course . They included "Mistletoe & Holly," "Winter Wonderland" and "Angels We Have Heard on High," among others.

Highlights included ex-Ellington bassist Lamb's feature on Duke's "Love You Madly," in which he played duo segments with each other band member, and Redd's vibes feature on the 1953 Eartha Kitt hit "Santa Baby."

A bebopper through and through

Greg Abate

Greg Abate got hooked on the 1950s hard-bop style that evolved from bebop, and he has made himself a career of bringing that intense sound to audiences across the U.S. and around the globe. Much like two other alto sax players with whom he has recorded, Richie Cole and the late Phil Woods, Abate developed into one of the genre's significant modern ambassadors.

He brought that sound to the Charlotte County Jazz Society's concert series in Port Charlotte FL on Monday, December 11, for a high-powered quartet performance. His Florida rhythm section included Richard Drexler on piano, Steve Gilmore on bass and Barry Smith on drums.

This was Rhode Island native Abate's fifth visit to Port Charlotte in nine concert seasons - and it was memorable for the way the band clicked throughout the night. Each player got significant solo space and made the most of it.

Looking back at 2017's best jazz recordings

‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists always have a lot of variation depending on the individual reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.

These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Times, Jazz Journalists’ Association and NPR Music 2016 compilations (the latter is the annual Francis Davis-produced poll that previously was published by The Village Voice and Rhapsody.com).

As I begin preparing my review of significant events and trends in jazz in 2017 for posting on allaboutjazz.com, I thought I'd share my "best of 2017" lists. *Always keep in mind the above caveats.

The 10 best new jazz releases of 2017

1.   Jimmy Scott, I Go Back Home (Eden River)

2.   Hudson, Hudson (Motéma)

3.   Matt Wilson, Matt Wilson’s Honey and Salt (Palmetto)

4.   Jeff Rupert and Richard Drexler, Imagination (Rupe Media)

5.   Ingrid and Christine Jensen, Infinitude (Whirlwind)

6.   Benedikt Jahnel Trio, The Invariant (ECM)

7.   Yoko Miwa Trio, Pathways (Ocean Blue Tear Music)

8.   Joachim Kühn New Trio, Beauty & Truth (ACT)

9.   Gary Meek, Originals (self-produced)

10. University of Northern Colorado Jazz Lab Band I, The Romeo and Juliet Project (Artist Alliance)

   

2017’s best vocal recording:

Jimmy Scott, I Go Back Home (Eden River)

The best historical/reissues of 2017 (includes any recordings made over 10 years ago, whether newly released or reissued):
 

1.  Wes Montgomery / Wynton Kelly Trio, Smokin’ in Seattle: Live at the Penthouse (1966) (Resonance)

2.  Thelonious Monk, Les Liaisons Dangerouses 1960 (Sam/Saga)

3.  The Three Sounds featuring Gene Harris, Groovin’ Hard: Live at the Penthouse 1964-1968 (Resonance)

4.  Nat King Cole Trio, Swiss Radio Days Vol 43 – Zurich 1950 (TCB)

5.  Art Pepper, Art Pepper Presents West Coast Sessions! Vol. 3: Lee Konitz (Omnivore)

2017’s best Latin/Brazilian jazz recordings:

1.  Eliane Elias, Dance of Time (Concord Jazz)

2.  Ignacio Berroa, Straight Ahead from Havana (Codes Drum)

3.  Antonio Adolfo, Hybrido – From Rio to Wayne Shorter (AAM)

4.  Steve Khan, Backlog (Tone Center)

5.  Gabriel Alegría Afro-Peruvian Septet, Diablo en Brooklyn (Saponegro)

The 10 best new compositions from CDs released in 2017, listed alphabetically:   

• Ambrose Akinmusire, “Withered” from A Rift in Decorum (Blue Note)
• Lili Añel, “Another Place, Another Time” from Another Place, Another Time (Wall-I)
• Roxy Coss, “Free to Be” from Chasing the Unicorn (Posi-Tone)
• Jack DeJohnette, “Song for World Forgiveness“ from Hudson (Motéma)
• Akua Dixon, “Let’s Dance” from Akua’s Dance (Akua’s Music)
• Miles Donahue, “The Bug” from The Bug (Whaling City Sound)
• Art Hirahara, “Kin-Ka: Gold Coin” from Central Line (Posi-Tone)
• John Hollenbeck, “The Kiss” from University of Northern Colorado Jazz Lab Band I, The Romeo and Juliet Project (Artist Alliance)
• Benedikt Jahnel, “The Circuit” from The Invariant (ECM)
• Mike Longo, “Only Time Will Tell” from Mike Longo Trio, Only Time Will Tell (Consolidated Artists Productions)

Al Hixon knows talent when he hears it

Al Hixon, John Lamb

It's almost a rite of passage for newly arrived jazz musicians in Southwest Florida. Those who have resettled from northern climates or are wintering here quickly find their way to15 South Ristorante Entoteca, a restaurant on toney St. Armand's Circle in Sarasota. On Monday night's, of course. That's when drummer Al Hixon holds his weekly jam sessions upstairs in a crowded room.

He's been holding his weekly jams for a total of 27 years in Sarasota since retiring as a land use planner in New England and moving south to nearby Longboat Key, and has hosted the Monday night jams in season (October through May). at 15 South for nine years. Al is a gracious and congenial host at his jams. 

Bud Leeds goes Bob-Bob-Bobbying along

Clarinetist Bud Leeds was in fine company - and good spirits - for the South County Jazz Club's first concert of the 2017-2018 season on Monday, November 20.

Bud Leeds

His quartet included multi-instrumentalist Bob MacInnis, Bob Leary on banjo, rhythm guitar and occasional vocals, and piano marvel Bobby van Deusen. (Leeds could have named the band Three Bobs and a Bud.) 

Together, they delved deeply into ragtime, Louis Armstrong fare and other classic jazz staples.The free-and-easy repertoire included "Struttin' With Some Barbecue," cornetist Wild Bill Davison's theme song "I Never Knew," "Do You Know What It Means to Miss New Orleans?," "Waiting for the Robert E. Lee," Bix Beiderbecke's "Singin' the Blues," Scott Joplin's "Rose Leaf Blues," and "Back Home in Indiana," among others.

Looking ahead: Southwest Florida jazz preview

Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through January.

Tapping into the lingering love for swing jazz

Johnny Varro played with the elder statesmen of classic swing jazz  in the 1950s, ‘60s and ‘70s, working with Eddie Condon, Bobby Hackett, Roy Eldridge and Pee Wee Russell to name but a few. Now at 87, he is one of the elder statesmen.

Johnny Varro

Pianist Varro returned to Port Charlotte with the Florida edition of his Swing Seven band on Monday, November 13. It was the band’s third appearance in five years in the Charlotte County Jazz Society’s concert series.

The band included saxophonists Terry Myers (alto and clarinet) and Rodney Rojas (tenor), trumpeter Charlie Bertini, trombonist Jeff Lego, bassist Mark Neuenschwander and drummer Eddie Metz Jr. The roster was identical to Varro’s October 2012 visit. A couple of subs were aboard in the band’s November 2014 concert.

CDs of Note - Short Takes

Taking a look at new CDs by The Black Butterflies, Miles Donahue, Chuck Owen & The Jazz Surge, and Matt Wilson….

UNESCO sets the stage for International Jazz Day in 2018, 2019

Sometimes you know, sometimes you don't - until the last minute. That's been the case with International Jazz Day celebrations. But apparently it's no longer going to be kept close to the vest.

Since the global program was created in 2011, major events were held in Paris, New Orleans and UN headquarters in New York City in 2012. Global Host Cities for the all-star concert and major celebrations included Istanbul in 2013, Osaka in 2014 and Paris in 2015, with at least a few months' advance notice.

Swinging jazz in two different contexts

The Charlotte County Jazz Society opened its 2017-18 concert season on Monday, October 9 with a robust evening featuring two Sarasota-based bands that covered a lot of musical territory in different contexts.

Trombonist Dick Hamilton's sextet and pianist Mike Markaverich's trio performed an hour apiece - and 10 songs apiece as it turned out - at the Cultural Center of Charlotte County's newly renamed William H. Wakeman III Theater. The early season event drew a crowd estimated at more than 225 attendees.

The home of the red piano

Henry Ford once told his car-makers back in the early 20th century that they could paint his Fords any color - as long as it was black. Just like Ford's vintage Model T's back in the day, pianos are black more often than not.

Once in a while, you may find a white one, or some in their natural wood brown tones. But you really have to search to find an acoustic grand that's red.

CDs of Note - Short Takes

This edition considers several new CDs with distinctive orchestral jazz focuses. They are projects by composer Mica Bethea, pianist-composer Alan Broadbent, trumpeter John Vanore, and two saxophonist-composers - Brian Landrus and Brian McCarthy.

Looking ahead: Southwest Florida jazz preview

The snowbirds will start trickling back this fall, which means it’s almost concert season again. Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through November. (I'll freshen this every six weeks or so, right through spring.)

If you dig music, dig a little deeper

The Jazz Foundation of America's Musicians Emergency Fund stepped up big time to help New Orleans musicians after Hurricane Katrina and its catastrophic flooding aftermath. And it is preparing to reach out to Texas jazz, blues and roots musicians affected by Hurricane Harvey.

The Jazz Foundation will help them rebuild, repairing homes, replacing belongings and treasured instruments and even replacing work.

Here's a link where you can join me and others in the music community in supporting this great effort.

Some background if you're unfamiliar. The Jazz Foundation brought over 1,000 musicians and their families back after Katrina by rehousing them, donating top-shelf instruments and creating paying gigs for hundreds. 

It also was there for hundreds affected by Superstorm Sandy. It also helped rebuild the homes of the musicians who lost everything in last year's devastating floods in Baton Rouge.

For 26 years, the Jazz Foundation has been keeping jazz and blues alive by helping the musicians who have played with everyone from Duke Ellington and Billie Holiday to Jimi Hendrix and The Rolling Stones. It assists in more than 5,000 cases a year nationwide.

Swinging the heck out of gypsy jazz

Keven Aland

There is something simultaneously exotic, passionate and downright swinging about gypsy jazz. That's the all-strings musical style that guitarist Django Reinhardt and violinist Stephane Grappelli popularized with their Hot Club of France collaborations in the 1930s and '40s.

Southwest Florida has its own splendid version of that Hot Jazz/Jazz Manouche sound. Sarasota-based Hot Club of SRQ, directed by violinist Keven Aland, plays regularly all over the area with groupings that range from duo, trio and quartet to larger possibilities depending on the event or venue's needs - and budget.

Assignment Newport

George Wein

This was the 37th consecutive year that I've gone to Newport on assignments to cover the Jazz Festival and/or the Folk Festival. 

That long  run started when George Wein brought the jazz festival back to the City-by-the-Sea in 1981 after a 10-year absence. 

This year' s coverage was for Jazz Times and New Orleans-based Offbeat magazine, as well as this blog.

Here is a link to my photo coverage for JazzTimes.  

Here is a link to images of New Orleans musicians published by Offbeat.  

It's been a splendid run so far. I look forward to 2018 and documenting the festival's continuing evolution.

Newport Jazz Festival looks to its future

There was a palpable shift in the musical air at this year's Newport Jazz Festival, the first year in which the new artistic director, Christian McBride, put his stamp on the event. 

Christian McBride, George Wein

Founding producer George Wein, 91, still heads the Newport Festival Foundation that runs the jazz and folk festivals in Newport. But the musical choices mostly were McBride's, and that lineup delivered the largest weekend attendance the festival has seen in quite a few years.

Combined attendance was 25,500 for the three afternoons at Fort Adams State Park and a sold-out opening night concert at historic Newport Casino on Friday, August 4. Saturday's attendance at Fort Adams was 9,600, just 500 tickets shy of a sellout for the day.