Showing posts with label vocals. Show all posts
Showing posts with label vocals. Show all posts

Sunday, March 1, 2015

The hipster returns

Giacomo Gates, Mac Chrupcala
Jazz singer Giacomo Gates is full of surprises - for his audience, and his bandmates. His performances are richer for it.

Such was the case Saturday night when he closed out February with a South County Jazz Club concert at the Glenridge Performing Arts Center in Sarasota FL. Gates' band for the night, and a pair of jazz bistro concerts scheduled Sunday, March 1 at JD's in Port Charlotte, included pianist Mac Chrupcala, bassist Don Mopsick and drummer Patricia Dean.

He built an instant rapport with the band and the audience, putting each song in context as he blended straight-ahead vocals; scat solos in which he uncannily sounded like a trombone, a double bass and even a flute; and vocalese. The latter technique involves singing words to a classic instrumental solo. Eddie Jefferson pioneered vocalese, Jon Hendricks popularized it, and Gates is one of today's great vocalese ambassadors. 

As for the surprises sprinkled among his many gems.
Dean, Gates
  • Gates brought Dean out from behind the drum set to share the vocal spotlight for two tunes. She's one of Florida's finer jazz singers but finds her timekeeping in steady demand. Their vocal duet on "All of Me" was followed by an interesting vocal twist. Gates layered bits of Thelonious Monk's "Straight, No Chaser" over Dean's version of the Lambert, Hendricks and Ross classic "Centerpiece."
  • Digging deep into the jazz archives, Gates sang the rather obscure tune "If I Were You, Baby, I'd Love Me." Nat Cole recorded it first in 1950 and it is rarely heard anymore.This was the first time Gates' band mates had ever played it. He also rolled out Babs Gonzalez' ode to romance gone wrong, "When Lovers They Lose."
This was Gates' third annual appearance in the area, though it was his first for the South County Jazz Club. No doubt he'll be back.
Chrupcala, Mopsick, Gates, Dean

Sunday, December 14, 2014

The Four Freshmen experience

Stein Malvey, Curtis Calderon
The Four Freshmen have been straddling the jazz and pop genres for 66 years nonstop, though the quartet hasn't had an original member in its ranks since 1992. But everywhere they go, they still pack in full houses.

Sunday's matinee concert at Sarasota's was a case in point.Glenridge Performing Arts Center, sponsored by the South County Jazz Club. The gig was sold out more than a week in advance, with more than 200 turning out to hear classic tunes performed by the band's 23rd combination of singer/players. 

Harmony vocals are the band's hallmark, bridging the vocal tradition associated with 1940s and '50s swing big bands with groups they inspired, notably the Beach Boys and The Lettermen. Clearly the hunger for that sound and style is still there.

The current lineup consists of Brian Eichenberger (lead vocals and bass), Stein Malvey (vocals and guitar), Curtis Calderon (vocals and trumpet), and Bob Ferreira (vocals and drums). was first established in 2013. Malvey is the newest member, joining the band in 2013.

Most interesting moments: The clever back-to-back performance of the 1952 hit "The Day Isn't Long Enough (When I'm With You!)" and its direct opposite, 1950's "Pick  Up Your Tears (and Go Home)." They also paid tribute to the founding members: brothers Don and Ross Barbour, Bob Flanigan and Hal Kratzsch with a reprise of the band's greatest hit: "It's a Blue World." Without those four, this phenomenon may never have happened.

Bob Ferreira, Brian Eichenberger, Stein Malvey, Curtis Calderon