Tis
the season for jazz tribute recordings. Taking a look at CD projects
honoring the musical legacies of Jackie McLean, Marian McPartland, Oscar
Peterson, Dinah Washington, Grover Washington Jr. and Attila Zoller....
Oklahoma-born, New York-based pianist and singer Champian Fulton tips a mighty hat on this CD to her biggest jazz vocal hero, the late Dinah Washington. Ten of the tunes on After Dark are from the Washington songbook. Fulton’s sweet vocals and bluesy piano style are backed here by bassist David Williams and drummer Lewis Nash, with her father, trumpeter Stephen Fulton, joining on four tracks. Gems include “Ain’t Misbehavin,” “A Bad Case of the Blues,” “Baby Won’t You Please Come Home” and Fulton’s original “Midnight Stroll,” a solo piano piece deeply influenced by fellow Oklahoman Jay McShann. Fulton honors Washington’s legacy here in a way that also spotlights her own formidable skills.
Jacknife, The Music of Jackie McLean (Primary)
San
Francisco Bay area saxophonist Steven Lucerne has been using his quintet
Jacknife to dig deep into alto sax player Jackie McLean’s edgy post-bop
recordings. The material on this CD was drawn from four seminal 1960s Blue Note
albums: Jacknife, It’s Time, Let Freedom
Ring and New Soil. Lugerner’s band
includes pianist Richard Sears, bassist Garret Lang, drummer Michael Mitchell
and trumpeter JJ Kirkpatrick. Favorites:
their takes on McLean’s classic blues “Das Dat,” Charles Tolliver’s “On the
Nile,” McLean’s teasing, twisting “Melody for Melonae” and his blues “Hip
Strut.”
Jason Miles, To Grover With Love / Live in Japan (Whaling City Sound)
Perhaps
more than any other musician of his day, saxophonist Grover Washington Jr. created
an instrumental crossover sound blending straight-ahead jazz with the energy
and soul of R&B. He had a sound all his own, and keyboardist Jason Miles
pulled together a band to honor that legacy in live performance. This session,
recorded at the Blue Note jazz club in Tokyo in June 2010, dug into material
from a 1997 Washington performance at New York’s Paramount Theater.
Miles’ funky
septet featured hard-driving tenor players Andy Snitzer and Eric Darius
(sometimes featured separately, sometimes going head to head), bassist Gerald
Veasley and percussionist Ralph McDonald (both Grover band alumni), guitarist
Nick Moroch and drummer Buddy Williams. Ryan Shaw added guest vocals on “Just
the Two of Us.” Favorite tracks: their takes on several classic Grover hits: “Winelight,” “Lorans Dance,” Marvin Gaye’s “Inner
City Blues” and MacDonald’s “Mr. Magic.” Thanks to projects like this, Grover’s
musical spirit remains alive and well.
Roberta Piket, One for Marian: Celebrating Marian McPartland (Thirteenth Note)
Roberta Piket, One for Marian: Celebrating Marian McPartland (Thirteenth Note)
Marian
McPartland was best known as a jazz pianist and longtime broadcaster, hosting
the classic public radio program Piano
Jazz for more than 30 years. Roberta
Piket wants us to pay more attention to McPartland’s legacy as a composer. Her
newest CD, One for Marian, does that
as Piket and her band perform McPartland material plus two original tribute
tunes, the title track “One for Marian” and the elegiac “Saying Goodbye.” McPartland
covers on this project include “Threnody” (written as a musical portrait of
Mary Lou Williams), “Ambience,” “In the Days of Our Love” (for which Peggy Lee
wrote lyrics) and “Kaleidoscope,” which became the Piano Jazz theme song. The band includes saxophonists Virginia
Mayhew and Steve Wilson, trumpeter Bill Mobley, bassist Harvie S. and drummer
Billy Mintz. Singer Karrin Allyson joins Piket for a duet version of “Twilight
World,” a McPartland tune for which Johnny Mercer penned lyrics.
(This is a June 10 release.)
(This is a June 10 release.)
Various Artists,
Oscar, With Love (Two Lions)
This
three-CD set is a stunning salute to the late pianist Oscar Peterson. Sixteen
top jazz pianists brought their own interpretations to a wide range of Peterson
compositions – recording all of them on his Bosendorfer Imperial piano in his
home studio near Toronto. The collection includes 19 of Peterson’s best-known
pieces, 10 compositions that were never recorded previously, and seven
compositions that the featured pianists wrote in tribute to Peterson (such as
Chick Corea’s “One for Oscar”). The participating pianists included Corea, Lance
Anderson, Monty Alexander, Kenny Barron, Robi Botos, Bill Charlap, Gerald
Clayton, Peterson protégé Benny Green, Hiromi, Oliver Jones, Justin Kauflin, Ramsey
Lewis, Michel Legrand, Audrey Morris, Makoto Ozone and Renee Rosnes.
The
previously unrecorded pieces included Legrand’s performance of “Dream of Me,” Oliver
Jones’ take on “Celine’s Waltz,” which Oscar wrote for his daughter, and Ramsey
Lewis’s exploration of the ballad “If I Love Again.” Gerald Clayton honored
Peterson with his cover of Oscar’s civil rights anthem “Hymn to Freedom.”
Charlap and Rosnes performed separately and also teamed on a four-hand version
of “Sushi.” Favorites included Barron’s take on “Ballad for Benny Carter,” Rosnes’
version of Peterson’s “Love Ballade,” Botos’ version of Peterson’s majestic “Wheatland,”
Hiromi’s zippy take on the playful “Oscar’s New Camera” and bassist Dave Young’s
solo elegy, “Goodbye Old Friend.” What an ambitious project, recorded over 10
months and so beautifully delivered by Oscar’s widow, Kelly Peterson. There is
much, much, much to savor.
Various Artists, Message to Attila: The Music of Attila Zoller (Enja)
Various Artists, Message to Attila: The Music of Attila Zoller (Enja)
The
late Attila Zoller was an important but somewhat obscure link between the
American and European jazz scenes who also bridged the gap between swing jazz
and the avant-garde. The guitarist, composer and educator began his career in
Budapest and ended it at his Vermont Jazz Center. Guitarists and a few non-guitarists
honor Zoller’s legacy by performing his compositions on this project, and six also
recorded messages of what he meant to them.
Participants included guitarists John
Abercrombie, David Becker, Peter Bernstein, Gene Bertoncini, Helmut Kagerer, Pat
Metheny (in a 1998 track with the late Jim Hall), Mike Stern, bassist Ron Carter,
vibes player Wolfgang Lakerschmid, and pianist Eugene Uman. Favorites: the
Hall-Metheny take on “The Birds and the Bees,” Bertoncini’s duo with Ron Carter
on “When It’s Time,” Abercrombie’s trio take on “Waltz for Joy,” Kagerer’s solo
version of “Ulla’s Memories” and a Bernstein/Becker cover of “Samba Caribia.”
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