2020: The Year in Jazz

All About Jazz has just posted my comprehensive annual look back at the past year in the jazz world.  

In short: The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became a online virtual event this time around.

Pianist Keith Jarrett disclosed that he might never perform in public again because of lingering health issues. The National Endowment for the Arts welcomed four new NEA Jazz Masters and said farewell to nine others who were among the many industry-associated musicians and figures passing away during the year.

But there was much, much more, in a year like we've never seen before. 

With some 20/20 hindsight, there's a lot more to learn about or refresh your memory right here.

A most-unexpected tip of many jazz hats....

Each June, the Jazz Journalists Association holds a matinee program in Manhattan to honor journalists, broadcasters and photographers who have done distinguished work in the past year.

Wednesday afternoon's festivities at the Blue Note jazz club included an unexpected surprise. JJA's voting members selected yours truly as the 2016 winner of the Lona Foote-Bob Parent Award for Jazz Photography.

When my name surfaced with five other very talented nominees (John Abbott, Jimmy Katz, Richard Conde, Lauren Deutsch and Michael Jackson) several months ago on the JJA Awards ballot, I figured it was a mistake, since I won the award back in 2003.

More than a few JJA member photographers had been under the impression this was sort of a lifetime achievement award, one and done. Apparently not - or maybe the JJA Awards committee forgot that caveat.

New Jersey-based photographer and writer Mitchell Seidel, with whom I've shared concert photo pits dating back to 1985, shared an interesting perspective: something along the lines that winning a lifetime achievement award twice in one lifetime is quite a feat.


I am humbled by the honor, knowing full well that each of the five other nominees was just as deserving.

As best I can surmise, my book, "Jazz in the Key of Light," must have developed some degree of awareness within the JJA community over the past year and a half. Maybe the voters took note of a 30+ year commitment to writing about and photographing the jazz world. We'll never know with any certainty.

Here is the full list this year's winners in the various categories:

• Lifetime achievement in jazz journalism: Ted Panken
• Jazz periodical: DownBeat
• Jazz blog: Ethan Iverson‘s “Do the Math”
• Jazz book: “Billie Holiday: The Musician and the Myth,” by John Szwed
• Robert Palmer-Helen Oakley Dance Award for Excellence in Writing in 2015: Nate Chinen
• Willis Conover-Marian McPartland Award for Broadcasting in 2015: Linda Yohn, WEMU, Ypsilanti, MI
• Lona Foote-Bob Parent Award for Photography in 2015: Ken Franckling
• Jazz Photo of the Year: Patrick Marek
• Jazz Album Art of the Year: Mike Park, for Kamasi Washington, The Epic

For more details, including all of the musician winners announced earlier this spring, visit the JJA online. Composer/orchestra leader Maria Schneider took home a whopping five trophies this time around: for Musician, Composer, Arranger, Large Ensemble and Record of the Year, the latter for her exquisite CD The Thompson Fields (artistShare).

JJA's 2015 winners

Congratulations to the many winners announced and awarded yesterday at the Jazz Journalists Association's 2015 JJA Jazz Awards event at the Blue Note jazz club in New York City. Here's a rundown of the winners, including the Lifetime Achievement in Jazz Journalism Award to Chicago-based Neil Tesser. 

Full disclosure: two of the jazz journalism outlets to which I am a long-time contributor won repeat honors. JazzTimes was named Jazz Publication of the Year. Allaboutjazz.com was named Jazz Website of the year. Kudos to both and all of the other category winners and nominees.

And the winners are….

The Jazz Journalists’ Association presented the media portion of its 18th annual Jazz Awards this week at the Blue Note in New York. The full list of winners is detailed at JJAJazzAwards.org (scroll down).

• Three musicians won crossover honors. Pianist Ethan Iverson was honored for the year’s best blog for Do The Math. Vibes player Gary Burton won Best Book of the Year category for his autobiography, Learning To Listen: The Jazz Journey of Gary Burton (Berklee Press). Singer Dee Dee Bridgewater, the host of the NPR series Jazz Set, received the JJA's Willis Conover-Marian McPartland Award for Broadcasting. (Burton also won musical honors, announced in April, as Mallet Player of the Year).
• Veteran author, editor, educator and radio show host W. Royal Stokes received JJA’s Lifetime Achievement in Jazz Journalism Award.
• Freelance writer Nate Chinen won the Helen Oakley Dance-Robert Palmer Award for Writing in 2013.

  

  Benny Golson, by Antonio Porcar Cano

• Spanish photographer Antonio Porcar Cano was honored for the competition’s Photo of the Year for his wonderful image of saxophonist Benny Golson, taken last July  26 at the  Festival Internacional de Jazz de Peñíscola.
• Videographer John Moultrie won the Best Short Form Jazz News Video category for "Gary Bartz Talks About Drug Use Among Jazz Greats."

Two perennial winners, JazzTimes magazine and AllAboutJazz.com, won again in their respective categories, Best Print Periodical and Best Jazz Website.

Jazz's creme de la creme, 2014-style

Herbie Hancock and Wayne Shorter, Newport 2013

The Jazz Journalists Association's 18th annual Jazz Awards winners list is headlined by pianist Herbie Hancock and saxophonist Wayne Shorter.

Hancock is being honored for Lifetime Achievement in Jazz. In addition to being a busy composer and performer, he's the driving force behind UNESCO's International Jazz Day, chairs the Thelonious Monk Institute of Jazz and gave this year's six-part prestigious Norton Lectures series at Harvard.

 

Shorter was named Musician of the Year and his 2013 recording, Without A Net (Blue Note) was voted Record of the Year. 

Cecile McLorin Salvant was named Up and Coming Artist of the Year and Female Singer of the Year. Here is a link to the winners in all 32 categories of musical excellence.

Award winners in the JJA's Journalism and Media categories will be announced June 11 at the annual JJA Jazz Awards party in the Big Apple.

A Montreal Jazz Festival preview

The 34^th annual Montreal International Jazz Festival is fast approaching. The dizzying event – which often seems like two festivals in one – runs June 28 through July 7. The schedule also features a couple of preliminary concerts on the 27^th.

An outdoor evening show

There’s the vast array of indoor ticketed concerts. Then there are the 300 FREE concerts on 10 outdoor stages featuring some 3,000 musicians before the 10-day run concludes. Those sets run the gamut from jazz and blues to pop and world music.

 
Each year, the festival presents awards to significant artists for their contributions to their various forms of music. Here’s a rundown of the 2013 honorees:

JJA Jazz Awards announced in 28 categories.

The results are in – or at least those pertaining to musicianship. The Jazz Journalists Association today announced the winners in the 28 music categories of its 17^th annual Jazz Journalists Association Jazz Awards.

The big winners for 2013 included saxophonist Wayne Shorter, trumpeter Wadada Leo Smith and Ryan Truesdell. Saxophonist Sonny Rollins was named "Emeritus Jazz Artist – Beyond Voting," which means he’s won so many times in various categories (artist of the year, saxophonist  of the year, album of the year, etc.) that he is now exempt from the balloting.

Full details and all category winners are posted here.

Sarasota Jazz Festival - Gates and Lamb in spotlight

Giacomo Gates

Connecticut-based bop/vocalese singer Giacomo Gates took the 33rd annual Sarasota Jazz Festival by storm last night, sharing the evening's spotlight with former Ellington bassist John Lamb.

Lamb was a strong part of the headliner's rhythm section - after receiving the Jazz Club of Sarasota's Satchmo Award for his outstanding contributions to jazz as a performer and educator. After getting off the road, he settled in St. Petersburg in 1967 and spent nearly 30 years teaching in the Pinellas County School System. He is still one of the area's most in-demand bass players.

2012 - The Year in Jazz

The world of jazz officially went global in 2012, kicked the Grammy Awards in the shins, dealt with economic issues and Mother Nature, and found new ways to innovate in this social media and Internet-savvy age. That is the overview of my annual wrapup of significant goings on in the jazz world, and its continuing move of players to the celestial jazz band, which has been published by allaboutjazz.com.

The many losses in the jazz world ranged from pianist, composer and bandleader Dave Brubeck and composer Clare Fischer to drummer Pete “LaRoca” Sims, saxophonists Red Holloway, John Tchicai and David S. Ware, and singer Etta James. The list is frighteningly long again for 2012.

A Sonny day at JJA; overdue honor for Silver

Horace Silver and Sonny Rollins topped the winners list at the Jazz Journalists Association’s 2012 Jazz Awards gala on Thursday at the Blue Note in New York. Rollins has become the awards’ iron man, collecting three awards (musician of the year, record of the year, tenor sax player of the year), while Silver received lifetime achievement honors for his impressive career as a composer, pianist and bandleader.

Here are four key awards:

Honors set for Montreal

The Montreal International Jazz Festival  has announced the award winners that it will honor this summer for their exceptional contributions to music. The awards will be presented during the 33^rd edition of the festival, which runs June 28 to July 8.

Montreal is full of surprises - again

For 32 years, the Montreal International Jazz Festival team has been showing the world how to produce a music festival that is filled with programming innovations, draws from genres and artists from around the globe – and runs like clockwork.
The 33^rd edition, which runs from June 28 to July 8, is just around the corner and the tickets for the 180+ indoor concerts went on sale this weekend. This six-square-block musical party is always a treat, no matter whether you go just for the 400 or so free outdoor shows at 10 stages in and around Montreal’s Place des Arts, or you also pony up to see some of the formal indoor concerts.

Jazz is always the core of the festival, but you’ll also find plenty of blues, folk, afro-pop and world music. It’s always a treat to hear some of the formidable Canadian musicians who never seem to garner much attention here in the U.S.

Unlikely to be a super Sunday

Football's Super Bowl will be here in 13 days, which means we're less than three weeks away from the Grammys. Don't groan all at once, boys and girls.

The 54th annual GRAMMY Awards are set for Sunday, Feb. 12 at Staples Center in Los Angeles. It's rare that jazz gets the spotlight it deserves at this musical circus event so I never dig too deep with predictions.

My only wonder at this point, is which jazz artist's/group's performance Grammy guru Neil Portnow will talk over this year. Or maybe he learned from last year's insult to Best New Artist winner Esparanza Spalding. One can only hope someone will restrain him.

God forbid he should prattle on about "the academy" while Rihanna or Sir Paul McCartney are performing.

A new NEA Jazz Master talks

I had a long conversation with trumpeter Jimmy Owens in preparation for a feature in the January issue of Hot House, which is just out. He had far more to talk about than there was space for in the profile. He’s getting the A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy at the NEA Jazz Masters event January 10 at Lincoln Center’s Frederick P. Rose Hall.

It is very well deserved. Owens’ involvement as an advocate regarding the rights of jazz artists led to the founding of the Jazz Musician's Emergency Fund, a Jazz Foundation of America program that helps individual musicians with medical, financial and housing assistance. He is also actively involved in issues related to pension benefits for jazz artists. Earlier, he co-founded The Collective Black Artists Inc., which kept 18 musicians working - touring up and down the East Coast and as far west as Chicago and Detroit. He also taught a business course on things that made a difference economically and control-wise for their lives.

Speaking off health issues, here’s what he also has to say about the current health of the jazz recording industry:

“There are no real jazz record companies and the majors call a few artists ‘jazz’ now and then,” Owens told me. “Artists are now saying, ‘I’m not going to wait any more. I’ll make my own.’ Now we have some really great self-produced recordings, and some pieces of shit. It is relatively inexpensive to make your own CD and press 500 or 1,000 copies. Sometimes they are really good, sometimes they are mediocre, and sometimes they are really bad. This is the state of the record industry and jazz. It’s not a very good state that we’re in today.”

Some would argue that the points he makes extend far beyond jazz.

The fellowship of jazz, so to speak, keeps growing

Congratulations are in order for drummer Dafnis Prieto, the jazz community's latest winner of a prestigious MacArthur Fellowship, the $500,000 so-called "genius grant." He and each of this year's 21 other winners from the arts and sciences will receive $100K a year for five years, no strings attached.

The MacArthur Foundation said the 37-year-old New York-based native of Cuba is "infusing Latin jazz with a bold new energy and sound."

It said his "dazzling technical abilities electrify audiences and (his) rhythmically adventurous compositions combine a range of musical vocabularies." It said he "melds modern jazz harmonies, Cuban clave rhythms, other Latin and African influences, and funk-inspired arrangements to create works of great stylistic diversity that evoke a broad spectrum of moods."

[Photo: Dafnis Prieto at the 2010 Tanglewood Jazz Festival].

Prior fellowship winners from the jazz world include a wide range of musicians... violinist Regina Carter, pianists Ran Blake and Cecil Taylor, drummer Max Roach, composer and bandleader George Russell, and saxophonists Ornette Coleman, Steve Lacy, Ken Vandermark, Miguel Zenon and John Zorn.

Jazz Masters 2012 - the 30th and final class (updated)

Call it overdue honors for Vonski and more

The National Endowment for the Arts has announced the recipients of the 2012 NEA Jazz Masters Award — the nation’s highest honor in jazz. The five recipients are drummer-keyboardist Jack DeJohnette, saxophonist Von Freeman, bassist and composer Charlie Haden, singer Sheila Jordan and trumpeter Jimmy Owens (pictured). As a longtime educator, the latter will receive the 2012 A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy.

Each will receive a one-time award of $25,000 and be honored at the annual awards ceremony and concert, produced by Jazz at Lincoln Center at its home, Frederick P. Rose Hall in Manhattan next January.

With this class, the NEA is celebrating the 30th anniversary of the NEA Jazz Masters Awards, which recognize outstanding musicians for their lifetime achievements and significant contributions to the development and performance of jazz. Ironically, the NEA Jazz Masters program is going away... making this its final class of recipients. The agency has proposed one program to honor artists in all disciplines. It's called the NEA American Artists of the Year awards.

This condensation means jazz artists will still have an opportunity to receive lifetime achievement recognition from the NEA, although their nominations will have to compete with other varieties of artists. We'll have to wait and see how that works out, just as the jury is still out over the Grammys consolidation hornet's nest this spring.

2011 JJA Awards were Sonny side up

Saxophone colossus Sonny Rollins either won or figured prominently in four categories at this year's JJA Awards event in New York. Kudos for that , and to all of the musician, journalist and photography winners at yesterday's Jazz Journalists Association event at City Winery in Manhattan.

Sadly, this was another year when my schedule did not permit a trip to the Big Apple for this tremendous jazz industry event.

Rollins won Musician of the Year and Tenor Saxophonist of the Year. Producer/director Bret Primack won Best Short Form Video of the Year for "Sonny Rollins: Getting It Back Together" and photographer John Abbott won Photo of the Year honors for yet another of his masterful images of Rollins.

An extra shout out to Jimmy Heath. The saxophonist was voted this year's winner of JJA's Lifetime Achievement in Jazz Award. And "I Walked With Giants: The Autobiography of Jimmy Heath" by Jimmy Heath and Joseph McLaren (Temple University Press) was voted Best Book About Jazz.

Here's a link to all of this year's winners.

Sonny’s still on a Roll

The high honors, perhaps long overdue, keep on rolling in for saxophonist Sonny Rollins. His historic 80th birthday concert in New York’s Town Hall three nights after his September 7 birthday was one of the top jazz events of 2010

Then you add in Edward MacDowell Medal, a lifetime achievement award from the Montreal International Jazz Festival, being the subject of an artful and insightful book (John Abbott and Blumenthal's Saxophone Colossus: A Portrait of Sonny Rollins) and induction into to the American Academy of Arts & Sciences, the nation's oldest and most prestigious honorary society.

Now, Rollins is on the eve of visiting the nation’s most famous address: 1600 Pennnsylvania Avenue.

Tomorrow, Wednesday March 2, Rollins will be one of 10 recipients of the 2010 National Medal of Arts for outstanding achievements and support of the arts. President Barack Obama will do the honors in an East Room ceremony at the White House. The medal is the nation's highest honor for artistic excellence.

The National Endowment for the Arts, which has announced its intention to eliminate the NEA Jazz Masters awards program going forward, organizes this one as well. And it is good to see jazz have a prominent place.

The other 2010 National Medal of Arts Recipients are theatrical critic, producer and playwright Robert Brustein, pianist Van Cliburn, sculptor Mark di Suvero, poet Donald Hall, musician and producer Quincy Jones (who has firm jazz roots), author Harper Lee, actress Meryl Streep, singer-songwriter James Taylor, and the Jacob's Pillow Dance Festival.

What splendid company.

And it is great to see Rollins and Jones help keep the jazz momentum going on this stage. Past jazz honorees include Ella Fitzgerald (1987), Billy Taylor (1992), Cab Calloway (1993), Dave Brubeck (1994), Lionel Hampton (1996), Betty Carter (1997), Benny Carter (2000), Paquito D'Rivera (2005), Wynton Marsalis (2005) and Hank Jones (2008).

Time permitting, you can tune in via the Web to watch tomorrow’s event at 1:45 pm Eastern Time at http://www.whitehouse.gov/live.

Into the spotlight and moving ahead

In less than a week, we saw significant attention spotlighting two jazz artists. There’s one to watch for on the vocal scene. The other we saw recognized for his decade of moving the music forward while embracing contemporary influences.

Ladies first as they say, no matter that the honors are chronologically skewed.

On October 4 in Washington DC’s Kennedy Center for the Performing Arts, Cécile McLorin Salvant of Miami won the Thelonious Monk Competition for Jazz Vocals over two other finalists and dozen semi-finalists. She won $20,000 in scholarship money and a record deal with the Concord Music Group.

Salvant, a French-Haitian-American from Miami FL but currently based in France, sang two ballads - "If This Isn't Love" and "I Wonder Where Our Love Has Gone."

The other finalists were Charenée Wade of Brooklyn NY and Cyrille Aimée of Fontainebleau, France, who finished in second and third place, respectively. Each of the finalists was backed by a trio of Reggie Thomas on piano, Rodney Whitaker on bass and Carl Allen on drums.

(At right: The three finalists of the 2010 Thelonious Monk International Jazz Vocals Competition (L-R): Charenee Wade, Cyrille Aimee and Cecile McLorin Salvant.) (Monk Institute photo)

On September 28, New York-based pianist-composer Jason Moran was honored with a $500,000 no-strings-attached” genius grant, as they have become known, in the form of a MacArthur Fellowship.

Moran, 35, is a pianist, composer, and bandleader was credited with mining a variety of musical styles to create adventurous, genre-crossing jazz performances.

“Moran’s signature corpus marries established classical, blues and jazz techniques with the musical influences of his generation, including funk, hip-hop and rock,” the Chicago-based John D. and Catherine T. MacArthur Foundation said. “Through reinterpretation of jazz standards and new compositions of his own, Moran is expanding the boundaries of jazz expression and playing a dynamic role in its evolution in the twenty-first century.”

Check out the Foundation's video for Moran's viewpoint.

Those of us who got to the CareFusion Newport RI Jazz Festival in early August – and made it to the Quad Stage, got a treat in the form of a trio performance by Jason Moran (right) and The Bandwagon, a longtime trio featuring the pianist with bassist Tarus Mateen and drummer Nasheet Waits.

Congratulations to all - and then some.

2010 is a very Sonny year

The Chinese Lunar Calendar considers 2010 as the Year of the Tiger, but in the jazz calendar this is the Year of the Colossus.

Why? All of the deserved attention focused on tenor saxophonist Sonny Rollins, who turned 80 on September 7 - still a vibrant musical force and restless explorer. (At right, Sonny Rollins at Newport, August 2008. Ken Franckling photo).

Here’s the rundown of significant moments that have taken place.

- On June 27, Rollins received the Montreal International Jazz Festival’s Miles Davis Award for his lifetime contributions to and achievements in jazz.

- On August 15, Rollins received the Edward MacDowell Medal from The MacDowell Colony in Peterborough, New Hampshire. The prestigious award is given annually to an artist who has made an outstanding contribution to his or her field. The Colony quite fittingly selected jazz writer, critic and Colony Fellow Gary Giddins to keynote the event.

- On September 10, three days after Rollins turned octogenarian, a sold-out 80th birthday concert at New York’s Beacon Theater was filled with much Rollins wonder and a few surprise guests. The biggest surprise - perhaps the only true surprise - was the appearance of Ornette Coleman, with whom Rollins likely never performed in public in their long parallel careers. In his New York Times review the following Monday, Nate Chinen captured the essence of the summit.

- Four nights later Rollins joined photographer John Abbott and writer/critic Bob Blumenthal at the Barnes & Noble store in Tribeca to talk with fans, including more than a few fellow musicians, and sign copies of Abbott and Blumenthal's Saxophone Colossus: A Portrait of Sonny Rollins. The book was published September 1 by Abrams. See jazztimes.com for images from the event, and see Jazz Times' October issue for book excerpts.

It's not over.

On October 9 in Cambridge, Massachusetts, Rollins will be among more than 200 scholars, scientists, writers and artists, as well as civic, corporate and philanthropic leaders, inducted into the American Academy of Arts & Sciences.

The nation's oldest and most prestigious honorary society is celebrating the 230th anniversary of its founding. In the , other new members from humanities and arts include film director Francis Ford Coppola, actor Denzel Washington, dancer Suzanne Farrell and singer Thomas Hampson.

“It is a tremendous privilege and honor to be made a Fellow of the American Academy of Arts & Sciences," says Rollins. "Not only for me, but for what I represent - the great American music called jazz."

Rollins was nominated by Academy member Apostolos P. Georgopoulos, a Minneapolis-based neuroscientist, amateur saxophonist and longtime Rollins fan. "It's a terrific tribute to a legend," says Georgopoulos, "and a jewel in the Academy's crown."

Since its founding in 1780 by John Adams, James Bowdoin, John Hancock, and other scholar-patriots, the Academy has elected leading "thinkers and doers" from each generation. Prominent inductees in prior centuries included George Washington, Benjamin Franklin, Daniel Webster, Ralph Waldo Emerson, Albert Einstein and Winston Churchill in the 20th. The Academy’s current membership includes more than 250 Nobel laureates and more than 60 Pulitzer Prize winners.

In about two weeks, we can officially add a Saxophone Colossus to the list.

Rollins is being honored for a lifetime of achievement as a musician. But don’t for a nanosecond think he’s finished. He has many more creative notes to play.