Tuesday, November 26, 2013
Jazz on this holiday weekend’s Record Store Day
The record collectors among you who can’t resist going out on Black Friday should stop by your local independent record shops. They need the business far more than any of the big box stores. Plus, it is the Black Friday edition of Record Store Day.
Posted by Ken Franckling at 1:32 PM No comments:
Labels: jazz, Miles Davis, Newport Jazz Festival, Record Store Day, record stores, recordings, reissues, Thelonious Monk
Monday, November 25, 2013
Looking Ahead: Southwest Florida jazz preview
The area jazz scene is heating up for its winter-spring season when most of the snowbirds are back in Florida. Here’s a preview of some of the more interesting jazz events in the Sarasota to Naples territory from now through February.
Posted by Ken Franckling at 5:01 PM No comments:
Sunday, November 24, 2013
Dave Glasser on carrying forward the grand traditions in jazz
New York-based Hot House magazine has published my profile of alto saxophonist Dave Glasser in its December issue. The bebopper who is keen on making sure new generations of players understand and appreciate the rich tradition of jazz as their musical voices evolve.
Posted by Ken Franckling at 3:43 PM No comments:
Labels: jazz, magazines, New York, saxophonists
Friday, November 22, 2013
Multi-faceted jazz from a true multi-instrumentalist
Paul Duffy brings new meaning to the category "multi-instrumentalist." For his South County Jazz Club quartet gig today, he played tenor sax, guitar, trumpet and flute and sang. But he did just fine with his arsenal, backed by pianist Matt Bokulic, bassist Joe Porter and drummer David Pruyn at the Venice Art Center. Duffy had a soprano sax in his kit but didn't use it with the day's repertoire. He didn't bring his bagpipes this time.
Posted by Ken Franckling at 8:16 PM No comments:
Thursday, November 21, 2013
Insights into the improviser's art
Pianist Tommy Goodman shared his insights today on jazz improvisation, or as some musicians quite correctly call it, spontaneous composition. "The answer to the mystery of where it all comes from is experience. There is a lot of stuff to absorb," Goodman said. "It takes 10 or 12 years of playing five nights a week to become a skilled jazz player."
Posted by Ken Franckling at 2:03 PM No comments:
Labels: improvisation, jazz, pianists, southwest Florida jazz
Tuesday, November 12, 2013
Roberts' jazz band bubbles with saxes
Posted by Ken Franckling at 12:06 AM No comments:
Tuesday, November 5, 2013
CDs of Note - Short Takes
Taking a closer look at new CDs by Gerry Gibbs, The Miami Saxophone Quartet and Bill O'Connell...
Posted by Ken Franckling at 1:19 PM No comments:
Labels: CD/DVD Reviews
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