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| Giacomo Gates |
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| Melissa Morgan |
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| Bria Skonberg |
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| Chuck Bergeron, Bria Skonberg |
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| Ridenhour, Bergeron, Skonberg, Yarling |
y with attitude. This is a good thing; it enhances her music by making it personal. On track two, “This is for Joe,” she admits as much: “I can’t compete. I can’t be a good girl and sing standards all nice and sweet.” The heart-on-her-sleeve song is a dandy, except for the opening sentence. She has proven that she can compete.The creative gem here is the clever title track, which delves into the challenges of being an artful singer. Marie even throws a jab towards the critics among us: “Ah, the media and the critics blah-blah-blah in my ear. Oh I’ve sat out there but have you ever stood up here?” …. You get the picture. Her oldest son, Michael A. Crone, joins her on vocals on his original, the blues “Deep in the Mountains.” Check out this fine recording. There is much to savor. Understand going in that you’ll find no standards, not tired tunes, no covers. Hallelujah.
the group’s third recording, and it is robust both in the range of quality material and in the performances of those nine compositions. The band often sounds more like a full big band than an octet. Lovers of hard bop will dig the blistering and funky title track, which trumpeter Walter Platt wrote as a tip of the hat to Horace Silver and Shorty Rogers. Saxophonist Ted Pease provided a diverse trilogy paying homage to three of his favorite composers: “Thad’s Pad” for Thad Jones, “Strays” for Billy Strayhorn and “Willis” for Bill Holman. The depth and the nuance throughout Breaking News are a combined joy to behold.
Matt Wilson, Matt Wilson's Christmas Tree-O (Palmetto)
Louis Armstrong’s “’Zat You, Santa Claus?” and Ella Fitzgerald’s clever “Santa Claus Got Stuck in My Chimney.”) Some are so fine that it is likely they will be dug out each December for years and years.One strong candidate is Matt Wilson’s cleverly titled 2010 recording that featured the drummer (and cover photographer) with two longtime collaborators, saxophonist Jeff Lederer and bassist Paul Sikivie. They put a spirited spin on 14 Christmas tunes – all classic in their own way (ranging from standard fare to “The Chipmunk Song,” “You’re a Mean One Mr. Grinch,” “Mele Kalikimaki” and Vince Guaraldi’s “Christmas Time is Here” from the Charlie Brown Christmas special). The treatment of these is anything but traditional. The music is intense and the solos are wild at times, playful at others, as Wilson & Co. present this swinging musical Christmas gift.
er debut recording. She told the crowd they'd never met in person but she knew he was there that night. It turned out the Berklee College of Music professor was sitting at a front table an arm's length away from Morgan. They hugged, he waved, and - with a lump in her throat - she nailed the tune Evans wrote for Dinah Washington.
second and third place, respectively. Each of the finalists was backed by a trio of Reggie Thomas on piano, Rodney Whitaker on bass and Carl Allen on drums.
disc as a leader. It’s a gem, and he’s got some terrific players along for the ride, including pianist Aaron Goldberg, bassist Christian McBride, drummer Greg Hutchinson and, as special guest on two tracks, trumpeter Roy Hargrove. Hargrove is featured on versions of Clifford Brown’s “Daahoud” and Joe Henderson’s “Mamacita.” Every track is wonderful in its own way, featuring Yotam and Co.’s splendid improvisations and the leader’s warm, distinctive tone. My favorite: their take on the reggae-based Monty Alexander tune “Renewal.” But there is much, much more to savor on the other 10 tracks as well.
CD – and it shows that she has a vocal maturity and understanding of songs far beyond her years. She’s got great intuitive chops and presents a wonderful interpretation of jazz standards on this project. Her band for the session features Joel Frahm on tenor, Manuel Valera on piano, Luques Curtis on bass, Jake Goldbas on drums, with guitarist Will Graefe on five tracks. There is one very different gem here: Lauren plus Christian McBride on a voice and bass duo version of “On the Sunny Side of the Street.” Lauren’s dusky voice also shines on her arrangement of “Give Me the Simple Life.” Frahm, Graefe and Valera stand out among the support team. McBride is one of her musical mentors. Another is trumpeter Arturo Sandoval, who produced her 2008 debut, Stairway to the Stars. Keep your eyes - and ears - on this wonderful talent.
of drummer Max Roach’s bands assembled an all-star octet for this session. It consists of eight originals plus Eddie Green’s “Little Miss Lady” and the Jimmy McHugh-Frank Loesser standard “Say It (Over and Over Again.)” The band includes saxophonists James Carter and Walter Blanding, trumpeters Terell Stafford and David Weiss, drummer Jeff “Tain” Watts, bassist Lee Smith and pianist George Burton. My favorite: their take on Pope’s “Phrygian Love Theme,” which gets a Spanish-tinged treatment that features Carter and Stafford. To my ears, this one is highly creative, perhaps more as a showcase for Pope as bandleader rather than his playing. Carter, Blanding, Stafford and Weiss provide the most interest.
od handle on the essential jazz vocal qualities that elude so many aspirants - phrasing, timing, and a shading / shaping / twisting emphasis on the lyrics in ways that better serve the material. And she knows how to become part of the band, not use it as ornamentation, or vice-versa. She’s got wonderful teammates here - with Ingrid Jensen on trumpet and flugelhorn, Joshua Wolff on piano, Matt Clohesy on bass and Jon Wikan on drums, to explore songs that all tough on aspects of love. Jensen’s playing is masterful, whether she is soloing or comping behind James. The clear highlight is their work on the Benny Golson classic “Whisper Not.” I also love Jensen’s poignant horn work on Jimmy Rowles’ “The Peacocks.” She and James make a great team - and James’s project is richer for her creative support.
y. That about sums up the talented Brit Jamie Cullum. You’ve got to love his charm and enthusiasm - and way with a song - regardless of whether you enjoy his in-concert piano gymnastics. His latest recording, The Pursuit, is his first in four years - and it is quite interesting. It’s a blend of standards and originals - and a few pop/rock covers. I particularly like the opener, a Frank Wess-arranged version of “Just One of Those Things” (recorded in live performance with the Count Basie Orchestra) and his version of Rhianna’s 2007 hit single “Don’t Stop the Music.” The latter song’s incessant energy could be a Cullum anthem. He also takes on current economic events with his own “Wheels” (key refrain: The wheels are falling off the world”). This a March 2 U.S. release, though it has been out since November in the U.K.
chi Sato keyboards, John Lockwood bass and Brazil’s Zé Eduardo Nazario on drums. It is a fine, empathetic band tackling Stein’s new arrangements on seven jazz standards, plus two very nice originals: “Elvin!” and “Wild Woods.” The re-arrangements are interesting. For example, they accelerate the tempo on Horace Silver’s classic “Nica’s Dream” without diminishing the tune’s beauty. Conversely, he takes a laid-back approach to Thad Jones’s “A Child is Born.” Stein is an inventive veteran player deserving far-greater recognition. If you’re not yet familiar, do give him a listen. He’s creative and his music is solid, harmonically and melodically inventive - and pleasant.
’s move to blend jazz and classical influences in more of its programming. 
and Dave Holland’s octet were strong closers. 
This singer from Austin, Texas takes jazz chestnuts and even more recent pop songs and embraces them in a way that they sound like originals. Keep an eye on her – and both ears, too.
