Roberto Magris Septet,
Morgan Rewind - A Tribute to Lee Morgan, Vol. 2 (JMood)
One
helping of Lee Morgan’s music wasn’t enough for Italian pianist and bandleader Roberto
Magris. On the heels of a quintet tribute to the hard bop trumpeter and
composer released in 2010, Magris is back with a two-CD celebration of many
more Morgan tunes with a newer, larger band. The septet also includes Hermon
Mehari on trumpet, Jim Mair on saxophones, Peter Schlamb on vibes, Elisa Pruett
on bass, Brian Steever on drums, and Pablo Sanhueza on congas and other
percussion. My ears tell me this new one trumps the original, with the mallets
and the congas adding interesting new textures.
In
addition to 11 Morgan originals (including ”A Bid for Sid,” “Cunning Lee,”
“Helen’s Ritual,” “Speedball” and “Zambia”), Magris includes two gems of his
own: the sprightly romp “Libreville” and the ballad “A Summer’s Kiss.” The band
steps up to the challenge of honoring one of bop’s great composers, whose life
was cut short in 1972 by a bullet in a New York nightclub (ironically named
Slug’s). With both spirited playing and loving care, they’ve kept the flame
burning for Morgan’s musical legacy.
Dan Moretti & The
Hammond Boys, Live at Chan’s (Roots Grooves)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6yUDLW0gOggLmTXSfgh8Yjp73Ff0GCw-aoc81qg1OnOCzVygISkb_ekzx3dsl3crqgGBCY87iO0uZ9cA7p77Edsg2U3u7KwdDQsDK1YAzONu2hZZ-tLu4d7JQkjnSEA3knLih-ihEOeU/s1600/Moretti.jpg)
Ernie Watts Quartet,
A Simple Truth (Flying Dolphin)
Tenor
saxophonist Ernie Watts has another gem on his hands. A Simple Truth finds him in the company of his European rhythm
section. He’s worked with pianist Christof Saenger, bassist Rudi Engel and
drummer Heinrich Koebberling for more than 15 years, and they’re simpatico
shines through. My clear favorites here are his bittersweet reading of the
Keith Jarrett ballad “No Lonely Nights” (reminiscent of Watts’ work with
Quartet West) and the title track, a Watts original. The six quartet tracks are
sandwiched between “The Sound: Morning” and “The Sound: Evening,” pieces by L.A.
pianist Ron Feuer that feature Watts and Feuer’s orchestral-sounding electric
keyboards. They open and close the CD’s concept of the varied moods of a jazz
day.
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