Looking ahead: Southwest Florida jazz preview

Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through March.

February

• Sunday, February 3, 2019 – The Terry Myers Orchestra’s tribute to Benny Goodman. Venice Performing Arts Center. Venice,  2 p.m.

• 

  Peter & Will Anderson

  Wednesday, February 6 – Trombonist Andy Martin guests with the Naples Philharmonic Jazz Orchestra in the sextet’s 2018-2019 concert series. Artis-Naples’ Daniels Pavilion, Naples. 6 and 8:30 p.m.
• Monday, February 11 – Twin saxophonists Peter and Will Anderson perform in the Charlotte County Jazz Society’s concert series. William H. Wakeman III Theater, Cultural Center of Charlotte County. Port Charlotte. 7 p.m.
• Wednesday, February 13 – The Eddie Metz-Nicki Parrott-Rossano Sportiello trio. A South County Jazz Club concert at the Glenridge Performing Arts Center. Sarasota. 8 p.m.
• Friday, February 15 – Senegalese percussionist Aiyb Dieng & Friends perform in the Jazzy Nights concert series. Sidney & Berne Davis Art Center, Fort Myers. 7 p.m.
• Friday, February 15 – Pianist Herbie Hancock in concert. Ruth Eckerd Hall, Clearwater. 8 p.m.
• Saturday, February 23 – The 14^th annual Punta Gorda Wine & Jazz Festival features saxophonist Gerald Albright, The Sax Pack (Jeff Kashiwa, Steve Cole and Kim Waters) and guitarist Matt Marshak. This has always been a smooth jazz event. Albright’s versatility and chops mean you might hear some real jazz for a change. Laishley Park, Punta Gorda. The music starts at 1 p.m.
• Wednesday, February 27 – Trumpeter Chuck Findley guests with the Naples Philharmonic Jazz Orchestra in the sextet’s 2018-2019 concert series. Artis-Naples’ Daniels Pavilion, Naples. 6 and 8:30 p.m.

March

• Friday, March 1 – Singer Michael Feinstein with special guest Laura Osnes. Hayes Hall, Artis-Naples. 8 p.m.

  

  Roxy Coss

• Wednesday, March 6 to Saturday March 9 – 39^th annual Sarasota Jazz Festival. The talent lineup for this “Generations of Jazz”-themed event includes Shelly Berg, Randy Brecker, Bill Charlap, Roxy Coss, Dick Hyman, musical director and reed player Ken Peplowski, Houston Person, Randy Sandke, Mary Stallings, the University of Miami Big Band, and many others. Hyatt Regency Sarasota.
• Monday, March 11 – Pianist Jim Roberts’ Saxtet performs in the Charlotte County Jazz Society’s concert series. William H. Wakeman III Theater, Cultural Center of Charlotte County. Port Charlotte. 7 p.m.
• Sunday, March 24 – The Four Freshmen in concert. A South County Jazz Club concert at the Glenridge Performing Arts Center. Sarasota. 2 p.m.

Several local venues (including J.D.’s in Port Charlotte; 88 Keys Florida and The Blue Turtle in Punta Gorda; Amore, the Art Ovation Hotel and the Starlite Room in Sarasota; The Roadhouse and The Barrel Room at Twisted Vine Bistro in Fort Myers;, and Slate’s in Cape Coral), offer jazz steadily. A variety of matinee concerts sponsored all season by the Jazz Club of Sarasota and the South County Jazz Club also keep things swinging for jazz lovers.

Have chops, will travel

Rising-star jazz singer Veronica Swift is quite the traveler.

She disembarked from The Jazz Cruise on Saturday, January 26 in Fort Lauderdale. Her Sunday afternoon gig was a mere 200 miles away in Sarasota, a relatively short three-hour journey across Alligator Alley and up Interstate 75.

Veronica Swift

But she took a different, 5,200-mile, route. Swift hopped a plane to Los Angeles, performed Saturday night with trumpeter Chris Botti, then took a red-eye flight back to Florida for her matinee performance with the Jeff Rupert quartet. She was jet lagged and ship lagged, but not at all jazz lagged.

“It feels like I’m coming home, because these guys are like family,” Swift said. The South County Jazz Club performance at the Glenridge Performing Arts Center teamed her with Rupert, pianist Richard Drexler, bassist Ben Kramer and drummer Marty Morell.

Jazz at sea with healthy doses of Latin flavor

Anybody who didn’t hear enough music aboard the 2019 edition of The Jazz Cruise only has themselves to blame. The offerings were plentiful and varied, with music running from 11:30 a.m. to after 1 a.m., with staggered programming in five different performance spaces. There were more than 100 jazz musicians in the lineup, and about 2,000 passengers aboard the m/s Celebrity Infinity.

The cruise departed Fort Lauderdale FL on Saturday, January 19 and returned a week later after brief stops in St. Croix, San Juan, Puerto Rico and Labadee, Haiti. Clearly, most folks aboard were there for the music. It was the 19th annual cruise, and more than a few passengers have been on most of them. 

Valdés, DeFrancesco, Shaheed

This year’s personal treats:

Frost Band heats things up

The Mike Frost Band was a pleasant surprise at the Charlotte County Jazz Society’s January 14 concert in Port Charlotte, stepping boldly into more contemporary genres while also digging deep into the mainstream jazz canon.

Mike Frost

This was the Aiken, South Carolina-based group’s first appearance in Port Charlotte – and in Florida, for that matter. The unit featured leader Mike Frost on 4- and 5-string electric basses; Lauren Meccia on alto and saxophones, wind synthesizer and vocals; Shannon Pinckney on piano and electric keyboard; and Ron Green on drums.

Lauren Meccia

The quartet skillfully blended jazz and the jazz sensibility with a bit of Latin, some pop classics and even a taste of rhythm & blues. The result underscored that fact that jazz is a musical process, not a specific repertoire. It’s not what you play, it’s how you play it. Their polished blend of contemporary jazz and updates of some familiar classics worked well – because the players delivered the goods.

The standards scattered throughout their two sets included “That Old Black Magic,” “You Don’t Know What Love Is,” How High the Moon,” “Night and Day” and Paul Desmond’s “Take Five," dropping in a few bars of the "Theme from Mission Impossible" to add a novel twist to the Dave Brubeck quartet’s signature tune. There were a few more-modern jazz pieces: Chick Corea’s exotic “Spain” and a Herbie Hancock medley featuring “Cantaloupe Island” and “Watermelon Man.”

Four Others - and more

A few years ago, Marian’s Jazzroom in Switzerland asked Harry Allen to put together a four-saxophone band for its Bern Jazz Festival. He quickly thought of the classic sound of the Four Brothers sax section from Woody Herman’s Second Herd in the late 1940s. That renowned unit featured tenor players Stan Getz, Zoot Sims and Herbie Steward, and baritone saxophonist Serge Chaloff. With no alto players in the mix, the rich, deep sound of the unison horns stood out on the big band circuit.

Harry Allen

Seventy years later, Allen is keeping that zesty spirit alive without taking a repertory approach. In his mind, there’s no need to re-create something if you can’t improve upon it. So he took the opposite tack - bringing that sound to new audiences with his own fine arrangements and a wider range of material.

His Four Others project got its latest showcase on Sunday, January 13, at a South County Jazz Club performance at the Glenridge Performing Center in Sarasota, a 200-seat acoustic marvel. His all-star band included fellow tenorists Jeff Rupert and Lew Del Gatto, baritone saxophonist Mike Brignola, pianist Richard Drexler, bassist Don Mopsick and drummer Marty Morell.

Swinging style and bebopping finesse

Stephanie Nakasian has had many facets to her career. She was a banker in Chicago and Manhattan. Then she caught the jazz bug. She heard bebop pianist Hod O’Brien, started working with him a bit in 1980 and a year later quit her day job to become a full-time singer. 

Stephanie Nakasian

She built her chops as a two-year member of the vocal group, Jon Hendricks and Company. She married O’Brien, and figured out how to balance motherhood, performing (often with her husband) and a long career as a music educator at the University of Virginia and the College of William & Mary. These days, she’s known to some as rising star jazz vocalist Veronica Swift’s mother.

On Friday, February 11, Nakasian’s quartet performance in Venice FL illuminated her vocal artistry. The wide-ranging program was a palette for her swinging style and bebopping finesse. Her scatting was never overdone. She used it sparingly – and effectively – to put a different twist on familiar fare. She also put a fine spin on several tunes that aren't heard much today.

There's jazz in his blood

Pianist Rony Khoury hails from the Dominican Republic, where his sheer talent at the keyboard has caught many an eye - and ear. With good reason.


Rony Khoury

He visited Port Charlotte this week for a showcase performance - a brief stopover en route to Boston, where he's going to study at the Berklee College of Music. He won a half-scholarship to Berklee through the Michel Camilo Scholarship Competition, which is open to student musicians from the Dominican Republic. 


Isaac Mingus

Khoury, 28, performed in a trio format at J.D.'s Bistro with bassist Isaac Mingus and drummer Mark De Rose. Mingus, a recent grad of the State College of Florida in Bradenton who now studies at the University of Florida in Gainesville, is a classical and jazz bassist and cellist. De Rosa, a Berklee grad who spent a lot of time working in Japan, is now based on the Florida east coast.

Covering the jazz waterfront

After forty-plus years on the New York jazz scene, trumpeter Randy Sandke has made himself a new home base in Southwest Florida. He moved to Venice a few months ago and has settled into the fertile area jazz scene.

Randy Sandke

While he has had some gigs as a sideman, Sunday, January 6 brought his first area concert as a bandleader. And a fine one it was. His quintet included saxophonist Peter BarenBregge, pianist Joe Delaney, bassist Don Mopsick and drummer David Pruyn – with Sandke acknowledging them as “stalwarts of the Florida jazz scene.”

The Year in Jazz

All About Jazz has just posted the newest edition of my annual comprehensive compilation of goings on in jazz.

The year 2018 was a busy one for the jazz world.

The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile performance competition for more than 30 years and co-produces International Jazz Day, announced a significant name change.

The New Orleans financial scandal focusing on trumpeter Irvin Mayfield saw its indictments expanded twice. The National Endowment for the Arts welcomed four new New Jazz Masters and the jazz world said farewell to five others who were among the many musicians and industry-associated figures who passed away during the year.

You can dig into all of it here.

Have yourself a jazzy, merry Christmas

Best wishes to you, your families and friends for a very Merry Christmas 2018, joyous New Year - and hopeful 2019 - from the Jazz Notes staff.  
 
A toast to you all as we share some vintage musical cheer from among our holiday favorites. Raise your glass, whatever your favorite libation!
 
The holiday season would not be complete without the delightful animated video of The Drifters’ doo-wopping their way through “White Christmas” with feeling. 

This animated cartoon by Joshua Held is excellent - and quite special.

A fine ambassador for the Great American Songbook - and more

To many fans, Danny Sinoff is a crooner for the new millennium. But to savvy jazz listeners, his piano chops are just fascinating. Maybe more so. He underscored his talent on both fronts on Friday, December 21, in a matinee concert for the South County Jazz Club in Venice FL with his regular trio-mates, bassist Scott Smith and drummer Patrica Dean.

Smith, Sinoff

The program included a wide array of Broadway and movie soundtrack material. Five of the standards were written by Cole Porter, a reminder of how prolific he and many other Tin Pan Alley composers were through the years.

Instrumental treats included “(There is) No Greater Love,” “I Could Have Danced All Night,” “That’s All,” a bossa-nova version of Porter’s “I Concentrate on You” and a version of “You Don’t Know What Love Is” that hinted at or teased with the melody from start to finish

While Sinoff is a fine ambassador for the Great American Songbook, he also knows how to dig deep into jazz standards. The second set included a romp through the John Lewis tune “D and E,” a 12-bar blues recorded by the Modern Jazz Quartet and intensified on pianist Oscar Peterson’s We Get Requests trio album. Sinoff & Co. turned it into a Peterson tribute.

Patricia Dean

Dean was featured on vocals on two tunes, “I Don’t Know Enough About You” and “Guess Who I Saw Today?,” the latter in memory of singer Nancy Wilson, who died earlier this month. Sinoff ended the program with a terrific piano-and-vocals uptempo take on Porter’s “It’s Alright With Me.”

In the spirit of the season, the program also included Vince Guaraldi’s “Christmas Time is Here” and a vocal version of the classic “Have Yourself a Merry Little Christmas.”

The concert was held at the Unitarian Universalist Congregation of Venice.

Dean, Smith, Sinoff

2018's best jazz recordings

‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists tend to have a lot of variation depending on the individual reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.

These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Journalists’ Association and NPR Music 2018 compilations. (The latter is the annual Francis Davis-produced poll that previously was published by The Village Voice and Rhapsody.com).

As I begin preparing my review of significant events and trends in jazz in 2018 for All About Jazz, I thought I'd share my "best of 2018" lists. *Always keep in mind the above caveats.

The 10 best new jazz releases of 2018

1. Jeff Hamilton Trio, Live from San Pedro (Capri)
   
2. Benjamin Boone and Philip Levine, The Poetry of Jazz (Origin)
3. Lynne Arriale Trio, Give Us These Days (Challenge)
4. Eric Alexander, Song of No Regrets (HighNote)
5. Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet Passion Reverence Transcendence (Whaling City Sound)
6. Fred Hersch Trio, Live in Europe (Palmetto)
7. Yelena Eckemoff, Desert (L&H)
8. Mica Bethea Big Band, Suite Theory (self-produced)
9. Roxy Coss, The Future Is Female (Posi-Tone)
10. Dongfeng Liu, China Carib (Zoho)

2018’s best vocal recording:

Amy Cervini, No One Ever Tells You (Anzic)

The best historical/reissues of 2018 (includes any recordings made over 10 years ago, whether newly released or reissued):

1.     John Coltrane, Both Directions at Once: The Lost Sessions (Verve)

2.     Esbjorn Svensson Trio, E.S.T. Live in London (ACT)

3.     Fred Hersch Trio, '97 @ The Village Vanguard (self-produced)

2018’s best Latin/Brazilian jazz recordings:

1.     Dafnis Prieto Big Band, Back to the Sunset (Dafnison)

2.     Bobby Sanabria, West Side Story Revimagined (JazzHeads)

3.     Antonio Adolfo, Encontros - Orquestra Atlantica (AAM)

4.     Akira Tana, JAZZaNOVA (Vega)

5.     Eddie Daniels, Heart of Brazil (Resonance)

The 10 best new compositions from CDs released in 2018, listed alphabetically:

• Lynne Arriale, “Appassionata” from Give Us These Days (Challenge)
• Benjamin Boone, The Unknowable (Homage to Sonny Rollins)” from Benjamin Boone and Philip Levine, The Poetry of Jazz (Origin)
• Roxy Coss, “Females are Strong as Hell” from The Future Is Female (Posi-Tone)
• Yelena Eckemoff, “Bedouins” from Desert (L&H)
• Thomas Fonnesbæk, “Panic Attack” from Fonnesbæk and Kauflin, Synesthesia (Storyville)
• Ken Fowser, “Coming Up Shorter” from Don’t Look Down (Posi-Tone)
• Benito Gonzalez, “Brazilian Girls” from Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet Passion Reverence Transcendence (Whaling City Sound)
• Fred Hersch, “Newklypso” from Fred Hersch Trio, Live in Europe (Palmetto)
• Monika Herzig, “Nancy Wilson Portrait” from Sheroes (Whaling City Sound)
• Dongfeng Liu, “Colorful Clouds Chasing the Moon” from China Carib (Zoho)