Showing posts with label top 10. Show all posts
Showing posts with label top 10. Show all posts

Monday, December 20, 2021

My take on the best jazz recordings of 2021

‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists tend to have a lot of variation depending on the each reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.

These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Journalists Association and JazzCritics Poll 2021. The latter is the 16th annual Francis Davis and Tom Hull-produced poll that is being published this year by the Boston-based online arts journal The Arts Fuse. It previously was published by The Village Voice, Rhapsody.com and NPR Music).

Thursday, January 14, 2021

The consensus on 2020's jazz releases

The results are posted from the 2020 edition of NPR Music's Jazz Critics Poll. This  annual undertaking, was compiled from ballots by 148 jazz critics and jazz journalists, including yours truly. Composer-bandleader Maria Schneider's Data Lords (ArtistShare) was the clear winner in the new issues category.

There is much to savor in the package, which includes the top results, pollster Francis Davis' personal thoughts on this most unusual year, and the rundown of individual contributors' ballots.

The Davis poll began 15 years ago in The Village Voice. NPR Music has been its home for eight years.

At the very least, there are lots of listening recommendations from which recordings most impressed various responders. 

Check it out.

Thursday, December 5, 2019

My take on the best jazz recordings of 2019


‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists tend to have a lot of variation depending on each reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.

These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Times, Jazz Journalists’ Association and NPR Music 2019 compilations (The latter is the 14th annual Francis Davis-produced poll previously published by The Village Voice and Rhapsody.com). The Davis poll is the largest, most-trusted year-end survey of its kind.
 
As I begin preparing my review of significant events and trends in jazz in 2019 for All About Jazz, I thought I'd share my "best of 2019" lists. *Always keep in mind the above caveats.

The 10 best new jazz releases of 2019

1.       Tierney Sutton Band, ScreenPlay (BFM)
2.       Something Blue, Maximum Enjoyment (Posi-Tone)
3.       Tom Harrell, Infinity (HighNote)
4.       Charlie Dennard, Deep Blue (Deneaux)
5.       Akiko Tsuroga, Jeff Hamilton and Graham Dechter, Equal Time (Capri)
6.       Lisa Hilton, Oasis (Ruby Slippers)
7.       Brandon Goldberg, Let’s Play! (independent)
8.       Dave Zinno Unisphere, Stories Told (Whaling City Sound)
9.       Five Play, Live From the Firehouse Stage (5Play)
10.    James Suggs, You’re Gonna Hear From Me (Arbors)

2019’s best vocal recordings:
1.     Tierney Sutton Band, ScreenPlay (BFM) 
2.     Laurie Antonioli, The Constant Passage of Time (Origin) 
3.     Nancy Kelly, Remembering Mark Murphy (SubCat)
4.     Nora York with Jamie Lawrence, Swoon (Good Mood) 
5.     Polly Gibbons, All I Can Do (Resonance)

The best historical/reissues of 2019 (includes any recordings made over 10 years ago, whether newly released or reissued):
1.     Cannonball Adderley, Swingin’ in Seattle, Live at the Penthouse 1966-67 (Reel to Real)
2.     Michel Petrucciani Trio, One Night in Karlsruhe (SWR Jazzhaus)
3.     Betty Carter, The Music Never Stops (Blue Engine)
4.     John Coltrane, Blue World (Impulse!)
5.     Miles Davis, The Complete Birth of the Cool (Blue Note/Ume)

2019’s top debut recording: 
   - Brandon Goldberg, Let’s Play! (independent)

2019’s best Latin/Brazilian jazz recordings: 
1.     Señor Groove, Little Havana (Zoho)
2.  Jane Bunnett and Maqueque, On Firm Ground/Tierra Firme (Linus) 
3.     Wayne Wallace Latin Jazz Quintet, The Rhythm of Invention (Patois)
4.     David Sanchez, Carib (Ropeadope/Malaza)
5.     Antonio Adolfo, Samba Jazz Alley (AAM), Steve Khan Patchwork (Tone Center)

The 10 best new compositions from CDs released in 2019, listed alphabetically:
   - Dave Bass, “Agenbite of Inwit” from No Boundaries (Whaling City Sound) 
   - Polly Gibbons and James Pearson, “If You Had the Chance” from All I Can Do (Resonance) 
   - Miho Hazama, “Somnambulent” from Dancer in Nowhere (Sunnyside) 
   - Clifford Lamb, “Blues & Hues” from Blues & Hues (Weberworks) 
   - Bevan Manson, Cecily Gardner and Tierney Sutton, “Caramel” from Bevan Manson, The Jazz Cave (Meistero)
   -  Bennett Paster, “Belgrade Booty Call” from Indivisible (self-produced) 
   - Michael Thomas, “Without Doubt” from Terraza Big Band, One Day Wonder (Outside In) 
   - Akiko Tsuruga, “Osaka Samba” from Akiko, Hamilton and Dechter, Equal Time (Capri) 
   - Mike Tucker, “Requiem” from Dave Zinno Unisphere, Stories Told (Whaling City Sound) 
   - Noriko Ueda, “Uneven Pieces” from Five Play, Live From the Firehouse Stage (5Play)

Monday, December 17, 2018

2018's best jazz recordings


‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists tend to have a lot of variation depending on the individual reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.

These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Journalists’ Association and NPR Music 2018 compilations. (The latter is the annual Francis Davis-produced poll that previously was published by The Village Voice and Rhapsody.com).

As I begin preparing my review of significant events and trends in jazz in 2018 for All About Jazz, I thought I'd share my "best of 2018" lists. *Always keep in mind the above caveats.

The 10 best new jazz releases of 2018

  1. Jeff Hamilton Trio, Live from San Pedro (Capri)
  2. Benjamin Boone and Philip Levine, The Poetry of Jazz (Origin)
  3. Lynne Arriale Trio, Give Us These Days (Challenge)
  4. Eric Alexander, Song of No Regrets (HighNote)
  5. Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet Passion Reverence Transcendence (Whaling City Sound)
  6. Fred Hersch Trio, Live in Europe (Palmetto)
  7. Yelena Eckemoff, Desert (L&H)
  8. Mica Bethea Big Band, Suite Theory (self-produced)
  9. Roxy Coss, The Future Is Female (Posi-Tone)
  10. Dongfeng Liu, China Carib (Zoho)

2018’s best vocal recording:
Amy Cervini, No One Ever Tells You (Anzic)

The best historical/reissues of 2018 (includes any recordings made over 10 years ago, whether newly released or reissued):
1.     John Coltrane, Both Directions at Once: The Lost Sessions (Verve)
2.     Esbjorn Svensson Trio, E.S.T. Live in London (ACT)
3.     Fred Hersch Trio, '97 @ The Village Vanguard (self-produced)

2018’s best Latin/Brazilian jazz recordings:
1.     Dafnis Prieto Big Band, Back to the Sunset (Dafnison)
2.     Bobby Sanabria, West Side Story Revimagined (JazzHeads)
3.     Antonio Adolfo, Encontros - Orquestra Atlantica (AAM)
4.     Akira Tana, JAZZaNOVA (Vega)
5.     Eddie Daniels, Heart of Brazil (Resonance)

The 10 best new compositions from CDs released in 2018, listed alphabetically:

  • Lynne Arriale, “Appassionata” from Give Us These Days (Challenge)
  • Benjamin Boone, The Unknowable (Homage to Sonny Rollins)” from Benjamin Boone and Philip Levine, The Poetry of Jazz (Origin)
  • Roxy Coss, “Females are Strong as Hell” from The Future Is Female (Posi-Tone)
  • Yelena Eckemoff, “Bedouins” from Desert (L&H)
  • Thomas Fonnesbæk, “Panic Attack” from Fonnesbæk and Kauflin, Synesthesia (Storyville)
  • Ken Fowser, “Coming Up Shorter” from Don’t Look Down (Posi-Tone)
  • Benito Gonzalez, “Brazilian Girls” from Benito Gonzalez, Gerry Gibbs, Essiet Okon Essiet Passion Reverence Transcendence (Whaling City Sound)
  • Fred Hersch, “Newklypso” from Fred Hersch Trio, Live in Europe (Palmetto)
  • Monika Herzig, “Nancy Wilson Portrait” from Sheroes (Whaling City Sound)
  • Dongfeng Liu, “Colorful Clouds Chasing the Moon” from China Carib (Zoho)

Tuesday, December 5, 2017

Looking back at 2017's best jazz recordings

‘Tis the season for the outpouring of Top 10 lists, and their many variations, for jazz, world events, etc. The jazz lists always have a lot of variation depending on the individual reviewer's personal tastes, as well as what he or she listened to during the year.* Bottom line, all are extremely subjective.
These choices below (aside from top 10 new songs of the year) were submitted to the Jazz Times, Jazz Journalists’ Association and NPR Music 2016 compilations (the latter is the annual Francis Davis-produced poll that previously was published by The Village Voice and Rhapsody.com).

As I begin preparing my review of significant events and trends in jazz in 2017 for posting on allaboutjazz.com, I thought I'd share my "best of 2017" lists. *Always keep in mind the above caveats.

The 10 best new jazz releases of 2017

1.   Jimmy Scott, I Go Back Home (Eden River)
2.   Hudson, Hudson (Motéma)
3.   Matt Wilson, Matt Wilson’s Honey and Salt (Palmetto)
4.   Jeff Rupert and Richard Drexler, Imagination (Rupe Media)
5.   Ingrid and Christine Jensen, Infinitude (Whirlwind)
6.   Benedikt Jahnel Trio, The Invariant (ECM)
7.   Yoko Miwa Trio, Pathways (Ocean Blue Tear Music)
8.   Joachim Kühn New Trio, Beauty & Truth (ACT)
9.   Gary Meek, Originals (self-produced)
10. University of Northern Colorado Jazz Lab Band I, The Romeo and Juliet Project (Artist Alliance)
   
2017’s best vocal recording:
Jimmy Scott, I Go Back Home (Eden River)

The best historical/reissues of 2017 (includes any recordings made over 10 years ago, whether newly released or reissued):
 
1.  Wes Montgomery / Wynton Kelly Trio, Smokin’ in Seattle: Live at the Penthouse (1966) (Resonance)
2.  Thelonious Monk, Les Liaisons Dangerouses 1960 (Sam/Saga)
3.  The Three Sounds featuring Gene Harris, Groovin’ Hard: Live at the Penthouse 1964-1968 (Resonance)
4.  Nat King Cole Trio, Swiss Radio Days Vol 43 – Zurich 1950 (TCB)
5.  Art Pepper, Art Pepper Presents West Coast Sessions! Vol. 3: Lee Konitz (Omnivore)

2017’s best Latin/Brazilian jazz recordings:
1.  Eliane Elias, Dance of Time (Concord Jazz)
2.  Ignacio Berroa, Straight Ahead from Havana (Codes Drum)
3.  Antonio Adolfo, Hybrido – From Rio to Wayne Shorter (AAM)
4.  Steve Khan, Backlog (Tone Center)
5.  Gabriel Alegría Afro-Peruvian Septet, Diablo en Brooklyn (Saponegro)

The 10 best new compositions from CDs released in 2017, listed alphabetically:   
  • Ambrose Akinmusire, “Withered” from A Rift in Decorum (Blue Note)
  • Lili Añel, “Another Place, Another Time” from Another Place, Another Time (Wall-I)
  • Roxy Coss, “Free to Be” from Chasing the Unicorn (Posi-Tone)
  • Jack DeJohnette, “Song for World Forgiveness“ from Hudson (Motéma)
  • Akua Dixon, “Let’s Dance” from Akua’s Dance (Akua’s Music)
  • Miles Donahue, “The Bug” from The Bug (Whaling City Sound)
  • Art Hirahara, “Kin-Ka: Gold Coin” from Central Line (Posi-Tone)
  • John Hollenbeck, “The Kiss” from University of Northern Colorado Jazz Lab Band I, The Romeo and Juliet Project (Artist Alliance)
  • Benedikt Jahnel, “The Circuit” from The Invariant (ECM)
  • Mike Longo, “Only Time Will Tell” from Mike Longo Trio, Only Time Will Tell (Consolidated Artists Productions)