Thursday, November 26, 2020

Jazz musicians felled by coronavirus - Chapter 3 (updated 3-11-2022)

Here is part three of our chronological listing of jazz-related COVID-19 deaths from the novel coronavirus, updated as we receive them. Our profound sympathies to their families, friends and fans as we remember their musical legacies.

  • Vibraphonist and xylophonist Ian Finkel died November 16 in Manhattan after a protracted battle with COVID-19. He was 72. Finkel dubbed himself “the world’s greatest xylophonist.” He was also a composer, arranger, musical director and author.
  • Guitarist and educator Bobby Cairns died November 21 in Edmonton, Canada. He was 78. He started playing professionally at age 15 with pianist Tommy Banks. Cairns headed the guitar program at Grant MacEwan College for 38 years. He retired in 2008.   
  • Promoter, broadcaster, writer and Central Pennsylvania Friends of Jazz co-founder Russ Neff died November 28 in Lancaster PA. He was in his 70s. He hosted jazz radio programs on WITF and WMSP, and wrote about music for the Harrisburg Patriot-News. Neff worked with CPFJ and Gretna Music to spotlight the local jazz scene and bring renowned performers to the Harrisburg area.
  • Broadcaster Carlos Gaivar died December 1 in south Florida. He was 74. After many decades working at radio and TV stations in Washington DC (including WAMU-FM, WETA-FM and WJLA-TV), and Los Angeles (KNX Newsadio), the Brooklyn NY native retired and moved to the Miami area in 2018.
  • Scottish bassist Ron Mathewson died December 3 in London at age 76. He was best known for his longtime work with saxophonist and London club owner Ronnie Scott, but also performed with Phil Woods, Gordon Beck, Tubby Hayes, and the Charlie Watts and Kenny Clark-Francy Boland big bands, among others.  
  • Multi-instrumentalist, composer and educator Bassam Saba, president of the Lebanese National Conservatory, died on December 4 in Beirut. He was 61. Saba was a leading figure in Arab music. His collaborations included work with classical, pop and jazz musicians, the latter including Herbie Hancock and Quincy Jones. He played oud, violin and nay (an Arab flute).
  • Saxophonist and educator Ed Xiques died December 4 in Las Cruces, New Mexico. He was 81. He was a member of the Thad Jones-Mel Lewis Orchestra in the 1970s and also worked with Frank Foster, McCoy Tyner, Bill Watrous, Toshiko Akiyoshi and Maria Schneider among others. He taught music in New York schools in the 1960s and more recently at Vassar College.
  • Traditional jazz banjoist Jack Kuncl died December 7 at age 86. He was a member of the Chicago-based Salty Dogs Jazz Band since 1969. He also played with the Chicago Cubs Dixieland Band, Roy Rubinstein’s Hot Six and The Dixie Stompers. 
  • Composer, pianist, drummer and poet Harold Budd died December 8. The Los Angeles native was 84. His work over the years included jazz, avant garde, contemporary classical and minimalist and pop  music, including film and TV scores.   
  • Belgian jazz and blues guitarist, singer and educator François Monseur died in his hometown, Liege, on December 10. He was 74. 
  • Bassist and percussionist Aninbal Ambert died December 11. The New York City native was 70. Ambert was a busy fixture on the Houston, Texas music scene for 30 years, working in a variety of Latin jazz, salsa and swing bands.
  • Croatian guitarist Damir Kukuruzović died December 12. He was 45. He was the founder and leader of the Siscia Jazz Club, which put his city, Sisak, on the jazz map. Kukuruzović organized numerous jazz festivals in Croatia, including the Siscia Open Jazz & Blues Festival. In 2011, he was named the most prominent acoustic jazz guitarist in Croatia.   
  • Bassist and composer Lelio Giannetto died December 19 in Palermo, Italy. He was 59. He founded Curva Minor, an association for the dissemination of innovative music.
  • Alabama-based concert organizer Bernard Lockhart died December 21. He was 59.  He founded  Birmingham’s Jazz in the Park series at Avondale Park in 2010. The series later spread to other parks in Birmingham and at least four other Alabama cities. Lockhart was CEO of Magic City Smooth Jazz and helped stage the Taste of Fourth Avenue Jazz Festival on Fourth Avenue North, Birmingham’s historic Black business district, in 2011. 
  • Composer, pianist and singer Armando Manzanero, one of Mexico’s most revered songwriters, died in Mexico City on December 28. He was 85. He wrote more than 400 songs, many of them romantic ballads that were covered by a wide range of artists, including Tony Bennett, Perry Como, Frank Sinatra, and Elvis Presley. Those gems included “It’s Impossible” and “Yesterday I Heard the Rain.”  
  Here are links to the chronology: Chapter 1, Chapter 2, Chapter 4 and Chapter 5.

Wednesday, November 11, 2020

CDs of Note - Short Takes

Taking a closer look at CDs by Matt DeMerritt, Tania Grubbs, Mongorama, Douglas Olsen, Ben Rosenblum and Kenny Washington...

Thursday, November 5, 2020

Live jazz in times of uncertainty

Wednesday, November 4, brought the first live jazz concert that I’ve been able to hear in person in nearly eight months. The last was in early March.

This road trip was to Artis Naples, where the Naples Philharmonic Jazz Orchestra resumed its concert series last month – with careful attention to pandemic protocols.

Dan Miller
Rather than perform to two packed shows in the more intimate, 275-seat Daniels Pavilion, Artis Naples moved the performances next door to the 1,600-seat Hayes Hall. Temperatures were checked at the entrance, masks were required for the audience, staff and musicians, and the roughly 200 people who turned out were given seats far apart from each other. It felt a bit odd yet comforting, at the same time.

The resident sextet’s concerts usually feature a special guest soloist. West Coast singer Kenny Washington was due to make his third appearance in the series, which is now in its 11th season. But the audience found out at the start of last night’s show that he was not there.

Thursday, October 8, 2020

Some good news for a change, near and far (updated)

Amid all the economic pain and uncertainty this year for jazz musicians, clubs and festivals due to the pandemic, there is some good news to share.

It comes on distant and local fronts, as we continue to await how the “new normal” affects the arts long term.