Mica
Bethea Big Band, Suite Theory (self-produced)
Floridian Mica Bethea has joined the ranks of the jazz world’s
finest contemporary big band composers. His prior two CDs, 2011’s The Mica Bethea Big Band and last year’s Stage ’N Studio, revealed facets of his prowess. This newest, all-original project,
Suite Theory, is a four-part extended composition that amounts to a musical
autobiography.
Alexis
Cole with One For All, You’d Be So Nice to Come Home To (Venus)
2018 brought the U.S. release of singer Alexis Cole’s splendid
collaboration with the modern bop sextet One For All. This is the only
recording that the New York-based instrumental collective has made with a
singer since it was formed back in 1997. The material here is all about
different facets of love and romance. Cole’s impeccable delivery can be torchy
or it can be cool, depending on the mood of each song. The band - tenor
saxophonist Eric Alexander, trumpeter Jim Rotondi, trombonist Steve Davis,
pianist David Hazeltine, bassist John Webber and drummer Joe Farnsworth – brought
much to the project both as players and arrangers. Favorite tracks: “Delilah,”
“Moon River,” “Cry Me a River” and “You’ve Changed.”
Fernando
García, Guasábara Puerto Rico (Zoho)
Drummer Fernando Garcia blends jazz and the traditional rhythms of
his native Puerto Rico on this, his third recording as a leader. The result is
a musically intoxicating session by his young band, which includes saxophonist
Jan Klus, pianist Gabriel Chakarji, bassist Dan Martinez, guitarist Gabriel Vicéns
and Latin percussionist Victor Pablo. Alto saxophonist Miguel Zenón joins on
the title track. Favorites: “Healing Prayer,” “Guaynabo Mi Tambor” and the
grooving closer, “Tiempo,” which features terrific solos from Chakarji, Kus and
Garcia.
Jeff
Hamilton Trio, Live From San Pedro (Capri)
If you’ve been a big fan of Oscar Peterson’s trio sound over the years, you’ll dig this one from drummer Jeff Hamilton’s longstanding trio with pianist Tamir Hendelman and bassist Christoph Luty. They’re carrying on the great jazz trio tradition in their own way – and have been doing so for more than 17 years. It’s loaded with power and finesse as each tune requires – and it swings mightily. They recorded this one at Alvas Showroom in San Pedro CA last year. Standout tracks including the Peterson-influenced “Sybille’s Day,” a swinging update of Ahmad Jamal’s classic take on “Poinciana,” a lush take on the Broadway show tune “I Have Dreamed” (from “The King and I”) with Luty’s bowed bass intro setting the table, and “Bennissimo,” Hendelman’s sprightly tribute to fellow pianist Benny Green. This concert recording is a gem from start to finish.
If you’ve been a big fan of Oscar Peterson’s trio sound over the years, you’ll dig this one from drummer Jeff Hamilton’s longstanding trio with pianist Tamir Hendelman and bassist Christoph Luty. They’re carrying on the great jazz trio tradition in their own way – and have been doing so for more than 17 years. It’s loaded with power and finesse as each tune requires – and it swings mightily. They recorded this one at Alvas Showroom in San Pedro CA last year. Standout tracks including the Peterson-influenced “Sybille’s Day,” a swinging update of Ahmad Jamal’s classic take on “Poinciana,” a lush take on the Broadway show tune “I Have Dreamed” (from “The King and I”) with Luty’s bowed bass intro setting the table, and “Bennissimo,” Hendelman’s sprightly tribute to fellow pianist Benny Green. This concert recording is a gem from start to finish.
The Ken
Peplowski Big Band, Sunrise (Arbors)
Clarinetist Ken Peplowski assembled the cream of the crop of mainstream
swing players for this big band session. There’s a fine mix of Great American
Songbook material, some Braziliana, some bebop, a couple of Duke Ellington
tunes, and even something from the Walt Disney songbook (“When You Wish Upon a
Star” from the 1950 movie Pinocchio) –
all featuring superb big-band arrangements. Peplowski’s clarinet work gets most
prominence here – showcasing his instrumental mastery and clever ideas. There
are also fine moments from his bandmates, including saxophonist Adrian Cunningham
on Sonny Stitt’s hard-driving bop classic “The Eternal Triangle,” Cunningham
and trumpeter Jon-Erik Kellso on the gorgeous but under-recorded Ellington
composition “I Like the Sunrise” (hence the CD title),m and alto saxophonist
Jon Gordon on “Come Back to Me.” The real treat here is “Clarinet in
Springtime.” Alex Wilder wrote and arranged it in the early 1940s for Benny
Goodman, but it had ever been played or recorded by Goodman or anyone else until
now.
Akira
Tana, JAZZaNOVA (Vega)
Drummer
Akira Tana has a winner here. He brought together some of the San Francisco Bay
Area’s best Latin/Brazilian jazz players and singers for a session celebrating
the Brazilian side of the jazz world. He added saxophonist Branford Marsalis
and trumpeter Arturo Sandoval as special guests on four and six tracks
respectively. Singers Claudio Amaral and Claudio Villela team up for a lush
duet on Jobim’s “Aguas de Marco” with backing from Sandoval. Carla Hembrecht is
featured with Marsalis on the band’s sultry take on Ivan Lins’ “Love Dance” and
with Sandoval on Jobim’s classic bossa nova “Corcovado.” “Chega de Saudade” (No
More Blues) teams singers Jackie Ryan and Maria Volonté. Sandy Cressman’s take
on Lins’ “Bilhete” features a duet-like soprano sax solo from Marsalis.
Marsalis’s
soprano is featured beautifully on the Toninho Horta ballad “Waiting for Angela” with
a bit of wordless vocals from Villella complementing his horn work. The band
steps away from the Brazilian mode for the closer. “La Gloria Eres Tú” teams Volonté
- a master of Argentinian tango - with Sandoval on both trumpet and vocals in a
tribute to Mexican music superstar Luis Miguel. Tana’s fine band includes
keyboard player Peter Horvath, Rio-born guitarist Ricardo Peixoto, bassist Gary
Brown and percussionist Michael Spiro. There is much here to enjoy.
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