The stars aligned on Monday, February 13, for Hyman to make his first CCJS appearance in Port Charlotte. It was long overdue. And it was also the first solo piano concert that the society has presented in its 27 seasons.
In virtually every case throughout the two sets, the New York City native offered extensive variations within his chosen songs without straying from or diminishing the basic familiar melodies. Those variations included stride and boogie-woogie piano styles, as well as some walking bass lines.
Highlights included Fats Waller's "Ain't Misbehavin'" (co-written with Harry Brooks), a somewhat dark version of Henry Mancini's "The Days of Wine and Roses," Louis Armstrong's arrangement of "Basin Street Blues," and a romp through Willie "The Lion" Smith's 1939 stride piano tour de force "Fingerbuster."
Hyman, who wrote the music for 11 Woody Allen films, shared his poignant composition "The Purple Rose of Cairo," the title ballad from the 1985 Allen film.
He told the audience of nearly 400 that he'd play requests only if he knew the tune - and liked the tune. Those requested gems included "Autumn Leaves," Waller's "Honeysuckle Rose," "Tuxedo Junction" and "Misty." Hyman began his take on "Autumn Leaves" with several bars of classical flourishes before shifting to a more delicate jazz feel. The evening's Ellington-related material included Hyman's explorations of Duke's 1933 composition "Sophisticated Lady" and trombonist Juan Tizol's "Caravan," long an Ellington band staple.
There were two other surprises from Hyman's keyboard artistry. The first was a bit of his theme song from the 1960s-early 1970s TV game show "Beat the Clock" (written when Hyman was the show's house organist. The second was the concert closer: a stunning series of variations on "Chopsticks," one of the first tunes that beginning pianists learn. Few musicians ever played it like this rendition.
Hyman turns 90 on March 8 but shows no sign of slowing down. In April, he will be inducted as a National Endowment for the Arts Jazz Master.