Taking a closer look at new CDs by Craig Handy, Herb Silverstein, Dave Stryker, Helen Sung and Volcán...
Craig Handy, Craig Handy & 2nd Line Smith (OKeh)
Saxophonist
Craig Handy took an interesting journey on this, his first recording as a
leader in 14 years. With an organ and a guitar both part of his working band,
he decided to focus on the songbook of B-3 organ great Jimmy Smith, and recast
it with the funky second-line groove from New Orleans. Smith’s helpers here
include Kyle Koehler on B-3, Matt Chertikoff on guitar, Clark Gayton on sousaphone,
and three New Orleans drummers: Ali Jackson, Jason Marsalis and Herlin Riley.
Trumpeter Wynton Marsalis adds his growling horn sound to Muddy Waters’ hit “Got
My Mojo Working,” which also features Clarence Spady on vocals. It is a session
highlight, along with Handy & Co.’s takes on “Organ Grinder’s Swing,” the
dirge-like ballad “I Almost Lost My Mind” and Stanley Turrentine’s “Minor Chant.”
Singer Dee Dee Bridgewater is featured on “On The Sunny Side of the Street.” If
you loved Jimmy Smith, love the B-3 sound in general, or love the Crescent City
jazz flavor, check this out. Handy’s band blends them well.
Herb Silverstein, Monday Morning (self-produced)
Sarasota-based
ear surgeon Herb Silverstein is also a jazz pianist and composer. His latest
CD, Monday Morning, consists of 10
original tunes. His quintet here includes saxophonist Jeff Rupert, guitarist
LaRue Nickelson, bassist Richard Drexler and ex-Bill Evans drummer Marty Morell,
all of whom are longstanding Florida jazz players and educators. All work here
in service to the melody, which is the heart of Silverstein’s fine music. This
CD also showcases Nickelson’s swinging and inventive guitar improvisations.
Favorite tracks: “Zorro,” ”You’re Almost Right” (a lovely Silverstein-Drexler
duet), “Chilly Summer,” the title track, and the sprightly and pleasing “Wish
You Were Here.” Also dig the Silverstein-Rupert interplay on the ballad “Just Alone.”
Dave Stryker, Eight Track (Strikezone)
One
way to bring fresh ears to jazz is to create jazz versions of the great pop
tunes. Miles Davis and Herbie Hancock were among the many artists who have done
so over the years. Now comes guitarist Dave Stryker who reworked some 1960s and
‘70s pop classics with his organ trio (Jared Gold on B-3 and McClenty Hunter on
drums) plus special guest Stefon Harris on vibes. The 10 wide-ranging tracks
here include Jimmy Webb’s “Wichita Lineman,” the Fifth Dimension hit
“Aquarius,” David Gates’ (Bread) “Make It With You,” Pink Floyd’s “Money,” the
Jackson Five’s “Never Can Say Goodbye” The Association’s “Never My Love,” a
Curtis Mayfield medley (“Pusherman” and “Superfly”) and Stevie Wonder’s “Superwoman.”
In capable hands like these, the tunes take on interesting new life.
Pianist
Helen Sung has come a long way since she was a member of the inaugural class of
the Thelonious Monk Institute of Jazz Performance, then based in Boston, back
in 1996. Her label debut for Concord Jazz shows the Houston native to be a
fully formed, adventurous and wide-ranging pianist and bandleader. Her sextet
on this, her sixth recording as a leader, includes tenor saxophonist Seamus
Blake, trumpeter Ingrid Jensen, bassist Reuben Rogers, drummer Obed Calvaire
and percussionist Samuel Torres. Violinist Regina Carter, clarinetist Paquito
D’Rivera and saxophonist John Ellis also appear on one or two tracks apiece.
Favorite track: the openers, “Brother Thelonious,” recast and re-energized since
its commissioning as a theme song for the Brother Thelonious Belgian-style ale
made in northern California; and the piano, clarinet and rudimentary percussion
version of Chick Corea’s invigorating “Armando’s Rhumba.” The Monk connection
continues later on the CD when the band worked out on Sung’s re-arrangement of
“Epistrophy.” The title track shows off Sung’s edgy adventurous spirit.
This
band consists of four Latin jazz all-stars: bassist Jose Armando Gola, drummer
Horacio “El Negro” Hernandez, conguero Giovanni Hidalgo and pianist Gonzalo
Rubalcaba, Volcán was recorded in Miami and released on
Rubalcaba’s 5Pasion label. The band explores three Rubalcaba originals and adds
fresh takes on material by Chucho Valdés, Dizzy
Gillespie, and Brazilian composers João Bosco and Chico Buarque. Favorite
tracks: Rubalcaba’s “Volcan Durmiente” and the band’s instrumental version of
Bosco’s “Corsario.” (There’s also a version with vocals from Maridalia
Hernandez.) Notable for a very different reason: the band’s propulsive take on
Barque’s catchy “Ano Novo.” Its melody sounds very similar to Daft Punk’s
recent Grammy-winning hit “Get Lucky.” Barque wrote “Ano Novo” in 1967.
Hmmm…. Check it out.
No comments:
Post a Comment