Clayton
developed the project around songs familiar to or inspired by his young
daughter, Lenny. It’s an unusual concept, but one that works well. It also
underscores the primary ingredients in making jazz: it’s not about the source
material so much as the improvisational art practiced by versatile musicians,
and their ability to think as one on any given tune. Mixing in a variety of
N’awlins rhythms created a bubbling musical gumbo.
Here’s a link to my full review from the January 2014 issue of Offbeat.
Here’s a link to my full review from the January 2014 issue of Offbeat.
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