Thursday, January 10, 2013
OKeh’s revival is more than OK
Record labels come and go. In the
case of one historic imprint, they come back with new purpose. And it is not
the first time for OKeh Records.
The OKeh label, founded in 1918,
had a reputation in its early years as the home of so-called ”race records.” Its 1920 hit, Mamie
Smith’s “Crazy
Blues,” is often credited as the first blues record. OKeh also released historic early recordings by Louis Armstrong, King Oliver and Duke
Ellington in its heyday.
The label shifted to the pop field
in the 1950s, soul music in the 1960s and, after two dormant decades,
re-emerged as a blues label in the mid-1990s.
Now the corporate parent, Sony
Masterworks, is reviving OKeh for contemporary jazz artists with an adventurous
spirit. Its first new release on April 9 will feature pianist John Medeski.
Other recordings are coming from guitarist Bill Frisell’s Big Sur Quintet and a
collaboration between saxophonist David Sanborn and pianist Bob James.
The OKeh label, founded in 1918,
had a reputation in its early years as the home of so-called ”race records.” Its 1920 hit, Mamie
Smith’s “Crazy
Blues,” is often credited as the first blues record. OKeh also released historic early recordings by Louis Armstrong, King Oliver and Duke
Ellington in its heyday.
The label shifted to the pop field
in the 1950s, soul music in the 1960s and, after two dormant decades,
re-emerged as a blues label in the mid-1990s.
Now the corporate parent, Sony
Masterworks, is reviving OKeh for contemporary jazz artists with an adventurous
spirit. Its first new release on April 9 will feature pianist John Medeski.
Other recordings are coming from guitarist Bill Frisell’s Big Sur Quintet and a
collaboration between saxophonist David Sanborn and pianist Bob James.
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