Tampa-based Chuck Owen is directs the University of South Florida’s Center for Jazz Composition. He also runs his own mighty fine,

Guest musicians for the recording and a series of related concerts include Randy Brecker, Mike Stern, Adam Nussbaum, violinist Rob Thomas, saxophonists Dave Liebman and Joe Lovano and vibes player Mike Mainieri. Highlights: “Peep,” the competition-winning arrangement by Fred Stride of Vancouver, British Columbia; “How Long ‘Til The Sun” featuring Randy Brecker and Rob Thomas; the frenetic “Itsbynne Reel,” the Mendoza-arranged “Slings and Arrows” and the poignant “Everything Happens When You’re Gone,” which features Lovano. Other standout soloists include pianist Per Danielsson, guitarist LaRue Nickelson and tenor saxophonist Jack Wilkins.
Ralph Bowen, Dedicated (Posi-Tone)
Tenor saxophonist Ralph Bowen recorded this forceful CD of original material as a musical thank you to six mentors who played key r

Everything here is a gem, showcasing Bowen’s muscular tenor and strong credentials as a composer and improviser. Favorites: Rogers’ soloing and comping on the opener “Canary Drums,” the spirited Bowen-Jones interplay and unison on “Mr. Bebop” and the beautiful ensemble work on “Prof.” (The six tracks are dedicated to the late Keith Blackley, Pat LaBarbera, Jim Blackley, David Baker, William Fielder and Eugene Rousseau.)
Carol Bach-y-Rita, What Love Is (Arugula Records)
This is an intriguing mix of Brazilian and American jazz and pop standards - shifting between English and Portuguese - from
Los Angeles-based singer, dancer, actress, voiceover artist Carol Bach-y-Rita. This debut CD has a lot going for it, including its most-musical, sensual and laid-back feel. Her interpretations of Jobim’s “Corcovado” and Johnny Mandel’s ”A Time for Love” are as cool and soothing as a pitcher of caipirinhas on a sweltering summer afternoon. Her backing quartet features bassist Trey Henry, pianist Jamieson Trotter, drummer Mike Shapiro and saxophonist/flutist Robert Kyle. The Bach-y-Rita-Henry duet version of “Don’t Explain” is exquisite. A beautiful version of “Lazy Afternoon” closes the session.
Carol Bach-y-Rita, What Love Is (Arugula Records)
This is an intriguing mix of Brazilian and American jazz and pop standards - shifting between English and Portuguese - from

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