For that evening, the horn line included Allmark (trumpet), Tucker Antell (tenor sax), Mark Vint (alto sax), Angel Subero (trombone) and Bob Bowlby (baritone sax), Dennis Hughes (piano), Bill Miele (electric bass) and Jim Lattini (drums) comprised the rhythm section.
The octet’s first set included a wide range of bop classics from the likes of Horace Silver, Benny Golson and Kenny Dorham, artfully arranged to feature the textures and possibilities of the horns. The band also dug deep into Dave Holland’s “Blue Jean,” which was a feature for Bowlby, and a spirited take on Stevie Wonder’s “Superstition” that closed the set.
Antell turned the evening from something very fine into something way over the top – in a good way. The southwest
Allmark featured Antell on Sonny Stitt’s “The Eternal Triangle,” which Stitt recorded with Dizzy Gillespie and Sonny Rollins on Gillespie’s 1957 album “Sonny Side Up.” Allmark introduced that Antell spotlight by quipping “the rest of us are going to go home now and kill ourselves.” The other horn players exited the stage but were within earshot for what transpired.
With just the trio backing him, Antell launched into a seven-minutes-plus solo with wave upon wave of musical passion. It was reminiscent of tenor player Paul Gonsalves’ famous “Diminuendo and Crescendo in Blue” interlude on Duke Ellington’s career-reviving 1956 appearance at the Newport Jazz Festival.
It was stunning to say the least. [Here's a link to his live feed on Facebook that evening.]
Allmark will be back at The Met on August 7 with his big band, the John Allmark Jazz Orchestra.
|Allmark, Antell, Vint, Subero, Bowlby, Lattini|
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