Revisiting a crossover classic

Forty years ago, pianist Claude Bolling shook up the jazz and classical music worlds a bit with his Suite for Flute and Jazz Piano Trio recording with flutist Jean-Pierre Rampal. It was one of the first true crossover recordings between the two musical styles. The public loved it – since it spent 530 weeks (more than 10 years) on Billboard’s classical charts after rapidly topping out at #1.
 
Fast forward from 1975 to 2015. With Bolling’s blessing – and an admonition not to tinker with the score, American arranger Steve Barta recast the original as a symphonic arrangement featuring the jazz quartet (flute plus rhythm section), string quartet and orchestra. This new version features pianist Jeffrey Biegel and jazz flute master Hubert Laws.

The added cushion of strings and brass wraps the project in a fine cocoon, celebrating the original melody and accentuating the dynamics of its mixed moods. Without offering a mere repertory revisit to the original, Barta, Biegel and Laws have updated Bolling’s suite beautifully. 

Huyssen's 1975 cover

For this self-produced recording, Barta also enlisted Bolling’s original artist/designer, Roger Huyssen, to update the original whimsical cover design, which featured the flute and piano sharing sleeping quarters. On the new version, the pair is still in bed, but surrounded by eight instrumental children.

Such a lavish tip of the hat by Barta & Co. was richly deserved and then some. Bolling’s 1975 piece can be credited for inspiring many fine jazz-classical crossover efforts through the years. They include pianist Donal Fox’s Scarlatti Jazz Suite Project, and the Burgstaller Martignon 4’s Mozart’s Blue Dreams and Other Crossover Fantasies and Bach’s Secret Files and More Crossover Fantasies projects.

The Symphonic Arrangement of Suite for Flute and Jazz Piano Trio will have its live performance premiere on November 20-21 at the Madison Theatre at Molloy College in Rockville Centre NY. Biegel and Laws will perform with Long Island’s South Shore Symphony at those evening concerts.

CDs of Note - Short Takes

Taking a look at new CDs by Randy Brecker, Shai Maestro, Bob Merrrill and Dan Trudell...

Jazz standard fare done well, twice over

The Charlotte County Jazz Society opened its 2015-16 season with a concert that celebrated the depth and breadth of the jazz canon with creative performances by two very different bands. 

Exploring the Great American and Jazz Songbooks

Danny Sinoff

Singer-pianist Danny Sinoff let his piano chops carry most of the load Thursday when his trio opened the South County Jazz Club's 2015-2016 matinee season at the Venice (FL) Art Center. While he is busy with steady club gigs, principally in Fort Myers and Port Charlotte, this was Sinoff's first appearance in Venice.

Ninety birthday candles – and an extended season of birthday wishes

George Wein

 When you are turning 90, the celebration begins early. So jazz festival producer George Wein certainly can have a 90^th birthday event this Friday, October 2, even though he was born on October 3, 1925.  

Jazz has lost another true master - Phil Woods

Phil Woods

Word spread very quickly through the jazz community this afternoon that alto saxophonist and NEA Jazz Master (Class of 2007) Phil Woods passed away today. He was 83. 

CDs of Note - Short Takes

Taking a look at new CDs by Joe Alterman, Don Braden, Laszlo Gardony, Paul Keeling and Wolfgang Lackerschmid….

Jazz loses one of its great advocates

Tom the Jazzman at Newport, 8-31-2015

Jazz lost one of its finest ambassadors this holiday weekend. Broadcaster "Tom the Jazzman" Mallison died overnight in a head-on collision as he was driving home to Greenville after his weekly Sunday night radio show on North Carolina's Eastern Public Radio. He had been a steady volunteer broadcaster on the station in New Bern for more than 30 years.

Mallison was a great friend, as well as a tremendous advocate for and promoter of jazz - and a mentor to many younger jazz broadcasters around the country. He was a faithful attendee at the Newport Jazz Festival each summer for several decades. His jazz knowledge and his gentle spirit will be missed at festivals, conferences and seminars galore, and his soothing voice will be missed by his many Eastern Public Radio fans.

The fine art of musical conversation

William Evans

Subbing for vacationing drummer-singer Patricia Dean's band, pianist William Evans brought his Tampa Bay-area trio to JD's Bistro & Grille in Port Charlotte FL Thursday night, September 2, for what turned out to be a top-flight night of music.

Detroit native Evans splits his time between Florida's Gulf Coast and Basel, Switzerland, where he's a longtime faculty member at the Swiss Jazz School. Evans' band mates on Thursday were two other very fine Tampa Bay-area players, bassist Joe Porter and drummer John Jenkins.

Looking Ahead: Southwest Florida jazz preview

The 2015-16 jazz concert season will start heating up in southwest Florida in September and continue through May, mirroring the gradual arrival and departure of the snowbirds. 

Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through November. I’ll post updated lists as the season progresses.

Another view of Newport

Justin Brown

You could call this one Jazz on Sunny Days. 


Eyewear spotted on the various 2015 Newport Jazz Festival stages last weekeend was a combination of fashion statement, utilitarian - or both. 

Here's a look at some of the more interesting sightings.  Be sure to note the red, white and blue predominating trumpeter Arturo Sandoval's eye wear.

Newport Jazz Festival photo gallery is posted

My 2015 Newport Jazz Festival primary photo gallery has been posted at JazzTimes.com. Take a stroll through it and enjoy. Here's a direct link. Here's a link to more images of New Orleans-related musicians at Newport posted by Offbeat.

The Newport Jazz Festival marathon

Tom Harrell

The 2015 edition of the Newport Jazz Festival, granddaddy of them all, was one of the finest in  recent memory... with spectacular weather, a wide range of engaging music, and combined attendance exceeding 23,000. Saturday was the more robust day at Fort Adams State Park with 8,000 attendees.

Keeping the beat

Want a great summer read that you'll find hard to put down? 

Check out novelist Mary Morris's fine new work, "The Jazz Palace" (Doubleday's Nan A. Talese imprint). This is her 10th novel. It is a beautifully crafted work that Morris worked on for two decades amid other projects.

CDs of Note - Short Takes

Jazz singers are in today’s spotlight. Taking a look at a variety of stunning new CDs by Thana Alexa, Keri Johnsrud, Gillian Margot, Joanna Pascale and Charenée Wade….

CDs of Note - Short Takes

Taking a look at new CDs by Pat Bianchi, Brian Charette, Jason Miles & Ingrid Jensen, Josh Nelson and Donald Vega….

Looking forward to Newport

There is pretty much something for every jazz fan at the 2015 Newport Jazz Festival this July 31-August 2, no matter your stylistic or demographic preferences. A lot of crowd favorites are back - like Maria Schneider's Orchestra, pianists Hiromi  and Michel Camilo, and singer-pianist Jamie Cullum. 

What a wonderful change of pace

The jazz concert season is pretty much gone in Florida from May until the snowbirds start returning in the fall. While there are regular club and restaurant gigs to fill in the gap, it was a treat to have an actual concert to attend.

Najar, Lamb, Feinman, Suggs, Ellison

The Venice Art Center and the South County Jazz Club teamed up to present a Louis Armstrong tribute concert on Thursday, June 25, featuring a quintet led by fine young trumpeter James Suggs. He's an engaging player with family roots in Newport RI, but who grew up in Ohio. He moved to St. Petersburg area in 2014 after having spent the prior eight years living and working in Argentina.

CDs of Note - Short Takes

Taking a look at new CDs by Tony Adamo, Dave Bass, Maria Schneider, Chris Washburne and Kenny Werner….

JJA's 2015 winners

Congratulations to the many winners announced and awarded yesterday at the Jazz Journalists Association's 2015 JJA Jazz Awards event at the Blue Note jazz club in New York City. Here's a rundown of the winners, including the Lifetime Achievement in Jazz Journalism Award to Chicago-based Neil Tesser. 

Full disclosure: two of the jazz journalism outlets to which I am a long-time contributor won repeat honors. JazzTimes was named Jazz Publication of the Year. Allaboutjazz.com was named Jazz Website of the year. Kudos to both and all of the other category winners and nominees.

A key to success at Newport

The best businesses – and arts organizations – don’t stand still. They find ways to enhance what they do. They making the experience better for their customers and supporters while building on their success. Need a concrete example? Look no further than the many enhancements over the past decade that the owners made at Fenway Park in Boston, starting with the seats atop the Green Monster overlooking left field. 

Here's a jazz example. The Newport Jazz Festival for many years consisted of a succession of performance sets on one stage. That was the case in the 1950s and 1960s at its succession of homes at Newport Casino, Cardines Field, Freebody Park and Festival Field through 1971. With the festivals’ return to Newport in 1981 after a decade-long absence, it’s new more spacious home at Fort Adams State overlooking Newport Harbor provided the ideal space for a venue evolution.

Hitting the jazz highway

Salinger-Ridley, Ko, Jensen, Zamora, Barnick *

Building your jazz skills isn’t just about playing your instrument, singing your songs, developing your style and strengthening your improvisational skills. It’s also about dealing with challenges on the road, disruptive sleep patterns, and getting along with your band mates as you jump on the van and head to the next gig.

Four students from the Boston-based Berklee College of Music will absorb a lot of that experience starting Thursday when they join trumpeter Ingrid Jensen on a five-date concert tour winding through parts of New England and the Mid-Atlantic. They’ll perform five gigs in five nights.

CDs of Note - Short Takes

Guitars and saxes aplenty. Taking a closer look at CDs by Russell Malone, Hailey Niswanger, Bjørn Solli, Dave Stryker and Doug Webb….

Miles and Miles of Newport

Miles Davis

Last August, the storied Newport Jazz Festival, granddaddy of the outdoor music festival format, celebrated the 60^th anniversary of its founding. This summer, producer George Wein will use the festival weekend to pay homage to the 60^th anniversary of trumpeter Miles Davis’s breakthrough performance at Newport. 

That July 17, 1955 all-star jam-session teamed Davis with saxophonists Gerry Mulligan and Zoot Sims, pianist Thelonious Monk, bassist Percy Heath and drummer Connie Kay. Together, they explored “Hackensack,” “'Round Midnight” and “Now's The Time.” Columbia Records’ A&R man George Avakian signed the trumpeter to a recording contract shortly after that appearance.

Evans does Evans

William Evans

Pianist William Evans, who splits his year between Florida's Gulf Coast and teaching music in Switzerland, was at JD's Bistro in Port Charlotte on Thursday April 23, subbing in the piano chair in singer-drummer Patricia Dean's regular Thursday gig.

Dixieland jazz in top form - and with a few twists

How do you keep Dixieland jazz from being mere repertory music? Trombonist Herb Bruce's approach is one way to go. As presented by his Herbicide Jazz Band, the music is solid, with clever, intricate arrangements. And the band takes the stage with good humor. Lots of it. 

The players take the music seriously, but don't take each other too seriously. That personable approach helps draw in the audience for what's a fun ride. Such was the case, Monday, April 13, when Herbicide closed out the Charlotte County Jazz Society's 2014-15 concert season with a Dixieland Night concert at the Cultural Center Theater in Port Charlotte FL. In short, you could call it syncopated swing with a sense of humor.

CDs of Note - Short Takes

Taking a closer look at new CDs by Greg Abate, Duchess, Bill O'Connell, and Ryan Truesdell's Gil Evans Project....

A splendid jazz reunion

Jon Faddis

Trumpeter Jon Faddis' guest appearance with the Naples (FL) Philharmonic Jazz Orchestra on Wednesday, April 1 had all the ingredients that go into a fine jazz show - extraordinary talent and musicality, doses of humor, and a keen rapport with the audience. 

It was also a chance to share the bandstand with a musician with whom he'd crossed paths many times in the Big Apple through the years - tenor saxophonist Lew Del Gatto. Del Gatto, a 25-year veteran of TV's "Saturday Night Live" band, leads the NPJO with pianist Jerry Stawski. The sextet's other members are trumpeter Dan Miller, violinist Glenn Basham, bassist Kevin Mauldin and drummer Mike Harvey.

No matter what you call it, it covers jazz

Sunday afternoon's concert by the Naples Jazz Orchestra outside the Boca Grande FL Community Center was musically excellent - and a bit different for its visuals.

Bassist Paul Shewchuk was playing what you could call either a "bass umbrella" or an "umbrella bass." The crafty musician attached a small black umbrella to the top of his upright bass, presumably to shield himself and his bulky instrument from the warmth and direct rays of the sun. 

Perhaps he did it to protect the bass fiddle, as some call it, from the possibility of a sudden shower, which pop up at any time in Florida. It would work for both possibilities. Either way, it was a sight to behold.

A sound all his own

Brazilian jazz guitarist Diego Figueiredo is a musical talent to take note of. Many notes, in fact.

Figueiredo  (pronounced fig-a-reed-o) drew a packed house at the Fogartyville Cafe in Sarasota FL on Wednesday, March 18 where he put on a mesmerizing display of solo guitar artistry, blending a variety of Brazilian styles, including bossa nova of course, with a handful of classic American jazz standards. 

Figueiredo, who first picked up the guitar at age four in his native Franca, Brazil, is now in his mid-30s and has released 22 CDs. He has won several major guitar competitions, including one held at Switzerland's prestigious Montreux Jazz Festival.

 You can find an interesting range of his material on YouTube. Check him out.

The Sinatra centennial

If you are going to have a vocal doppelganger, who better than Frank Sinatra?

Walt Andrus

Such is the case for singer Walt Andrus, who puts his uncanny  vocal similarities to the test Monday, March 16 at the Naples Jazz Orchestra's Sinatra centennial concert - and passed with flying colors. The event drew more than 3,000 people to Cambier Park in downtown Naples FL.

Andrus is a veteran big band singer, whose most notable work included 15 years (from 1988-2004) with the Tommy Dorsey Orchestra conducted by Buddy Morrow. His forte is the Sinatra repertoire. He doesn't sound like an imitator. He's just blessed with very fine pipes and an ability to deliver on the repertoire in his own convincing way.

The very fine Naples Jazz Orchestra put the swing in the charts, pushed and prodded by musical director Bob Stone's hard-driving drums. The evening's two sets included a wide array of Sinatra-associated material, from his early big band days to more saloon-style material.

Treats included their explorations of "Yellow Days," "Witchcraft," "One More for the Road"  and "The Best is Yet to Come." Sinatra's Chicago tribute "My Kind of Town," was a perfect fit for the evening given Stone's long big band association with the Windy City. It set up the delivery a few songs later of the Sinatra staple "New York, New York." "Strangers in the Night" was the evening's encore.

With the 100th anniversary of Sinatra's birth coming on December 12, there is an audience hunger for events such as this during 2015. This is a powerhouse band, with Andrus in tow, that ought to capitalize on that momentum.

Jazz to hang your hat on

Judi Glover

Judi and Alex Glover worked the cruise ships and the casinos in Las Vegas and Atlantic City for more than two decades. Eighteen months ago, without any job prospects lined up here, they decided to take a gamble on Florida. They haven't looked back.

For most of those years up north, Alex was in the spotlight as vocalist and leader of Alex Glover & Company, which ranged from small groups to larger ensembles and even a big band. His wife worked out of the limelight as the group's pianist and as a music educator.

In Florida, the tables have turned. Alex sings when opportunities permit, but mostly, he's content to sit back and listen to Judi's marvelous skills at the keyboard. She's been busy from the time they moved from the Atlantic City area to the Gulf Coast, as an occasional leader but more often as a  rhythm section member or as an accompanist. This year, she signed on as the pianist of the highly regarded Naples Jazz Orchestra.

Alex & Judi Glover

Thursday, March 12 brought one of those rare opportunities to hear them working together. They performed in the finale of the South County Jazz Club's 2014-2015 matinee series at the Venice Art Center.

Supported by three standout area players - bassist Don Mopsick, reed player Tom Ellison and drummer Johnny Moore, they explored a wide range of jazz and Great American Songbook staples. They managed to sidestep virtually all of the so-called tired tunes, the standards that have been done ad nauseum.

Glover, Ellison

Favorite moments: the quartet's Latin-tinged take on "Night and Day," and Alex's versions of tunes of long-standing quality that don't seem over done. They included "Nevertheless I'm in Love With You," "A Kiss to Build a Dream On," and the Rosemary Clooney hit "You'll Never Know."

Alex Glover

Alex noted that much of this material dates back 50 or 60 years and passes the test of enduring quality. Then he asked rhetorically if the same could be said down the road for much of what passes today as pop music."In 50 years," he asked the audience, "will anyone be asking to hear anything Beyonce recorded" (in this decade)?  "or Justin Bieber?," Ellison chimed in.

It's a point to ponder.

Looking Ahead: Southwest Florida jazz preview - Spring edition

The 2014-15 jazz concert season will start winding down after Easter… when the majority of snowbirds will start heading north. But there is great music still to be found for those who linger in Southwest Florida, or are here pretty much year-round. Here is a rundown of noteworthy jazz events, principally in the Sarasota to Naples territory, from now through mid-May.

• Monday, March 16 – The Naples Jazz Orchestra's Frank Sinatra centennial tribute with singer Walt Andrus. 7 p.m., Cambier Park, Naples.
• Friday, March 20 – Singer Carla Cook with the Dan Miller-Lew Del Gatto Quintet. Sidney & Berne Davis Art Center, Fort Myers.
• Wednesday, April 1, 2015 – Trumpeter Jon Faddis is the Naples Philharmonic Jazz Orchestra’s special guest. Daniels Pavilion, Naples. 6 p.m. and 8:30 p.m.
• Monday, April 13 – Trombonist Herb Bruce‘s Dixieland band, Herbicide, in concert, Charlotte County Jazz Society‘s Artists Series. Cultural Center of Charlotte County. 7 p.m.
• Thursday, April 16 – Singer-pianist Diana Krall. Van Wezel Performing Arts Hall, Sarasota, 8 p.m.
• Friday, April 17 – Trumpeter Chris Botti. Van Wezel Performing Arts Hall, Sarasota, 8 p.m.
• Wednesday, April 22, 2015 – Trombonist Wycliffe Gordon is the Naples Philharmonic Jazz Orchestra’s special guest. Daniels Pavilion, Naples. 6 p.m. and 8:30 p.m.
• Wednesday, May 13, 2015 – The Naples Philharmonic Jazz Orchestra features drummer Mike Harvey in its tribute to the music of Art Blakey. Daniels Pavilion, Naples. 6 p.m. and 8:30 p.m.

Several local restaurants (including J.D.’s in Port Charlotte, The Orange House and the Turtle Club in Punta Gorda, The Roadhouse in Ft. Myers, and Alto in Naples) offer jazz steadily. A variety of matinee concerts sponsored all season by the Jazz Club of Sarasota and the South County Jazz Club also keep things swinging for jazz lovers.

Freshening classic jazz

Trombonist Bill Allred knows how to honor the earliest jazz and the finest in big band swing without sounding dated in any way. He did so with his eight-piece Classic Jazz Band Monday, March 9 in the Charlotte County Jazz Society's concert series in Port Charlotte FL.

Bill Allred

The Orlando-based octet is a high-energy outfit that knows how to make the music swing, and then some. "Let's get this party started," the leader said as the band launched into Duke Ellington's "It Don't Mean a Thing (If It Ain't Got That Swing)" before beginning a first-set examination of Louis Armstrong-associated New Orleans staples, then moving north to Memphis and Chicago, much as the music did in its formative decades.

Randy Morris

Allred described New Orleans' Storyville district, where jazz and ragtime were born, as "the first adult theme park" before pianist Randy Morris worked his way through a bit of Jelly Roll Morton ragtime. Trumpeter and singer Bobby Pickwood had very strong features on "West End Blues and "What a Wonderful World."

Bobby Pickwood

The second set focused on the big band era, coursing through material from Glenn Miller, Count Basie, Buddy Morrow, sneaking in a bit of the Ray Charles songbook with "Hard-Hearted Hannah" and Bob Crosby's Bobcats' "Big Noise from Winnetka" before winding down with a nod to Benny Goodman on "Sing, Sing, Sing."

This version of Allred's band also featured David MacKenzie on reeds, trumpeter Greg Little, trombonist Herb Bruce, bassist Jay Mueller and drummer Dick Maley. 

Allred's band, now in its 25th year, was last in Port Charlotte in December 2011. It was an ideal choice for the jazz society's 25th season, in a concert that drew 400+.

Morris, MacKenzie, Pickwood, Little, Mueller (partly hidden), Allred, Bruce, Maley.