Pianist
Roy Gerson, who moved from his native New York a couple of years ago, has
brought a refreshing 1940s bite of the Big Apple to Southwest Florida.
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| Roy Gerson |
His
new eight-member Swingtet is one month into its Friday night residency at Society Restaurant & Lounge in Fort Myers’
bustling Bell Tower Shops plaza. His concept for this band’s fun evenings is re-creating the Manhattan supper club atmosphere back in the day – where you could hear top jazz musicians
playing a wide variety of swing, Latin and even pop music for dining, listening
and dancing. Yes, at Roy’s Swingtet gigs, dancing is not only permitted, it is
encouraged – either next to your table or right in front of the band.
On
Friday, July 26, Gerson’s fine band included his wife, Corrine Manning, on
vocals, Don Mopsick on bass, Tony Vigilante on drums, Frank Portolese on guitar,
Dan Miller and Randy Sandke on trumpet, and Herb Bruce on trombone. The horn
line shifts a bit from week to week, depending on which musicians are
available.
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| Miller, Gerson, Mopsick |
The
evening’s repertoire was all over the musical map, but oh did it swing.
There
were some Swing-era staples: (“Lady Be Good,” “Caravan,” “Perdido,” “Sweet
Georgia Brown” and the classic Louis Jordan hit “Is You Is Or Is You Ain’t My Baby.”
There were several varied New Orleans-based tunes: “Bourbon Street,” “Do You
Know What It Means to Miss New Orleans” and “Iko Iko.” The Latin fare ranged
from cha cha to the Mexicana-flavored rock hit “Tequila” and “Quando,
Quando, Quando,” which originated as a bossa nova-styled Italian pop song. The
evening also featured the bossa classic “Girl
from Ipanema.”
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| Sandke, Portolese, Miller |
There
were beautiful musical moments. Sandke, another recent
transplant from New York, was featured on “Stardust.” Miller turned great solos
on “Basin Street Blues” and “Do You Know What It Means to Miss New Orleans,” with
Bruce doing the same on “Stars Fell on Alabama.” Vigilante rose to the Gene
Krupa challenge on “Sing, Sing, Sing,” the Benny Goodman Orchestra classic
written by Louis Prima. Portolese, a Chicago jazz fixture for 30 years, shifted
with ease between rhythm guitar and masterful solos throughout the night.
The
dancers got into the mix on the band’s spirited version of “Jump, Jive an’ Wail,” the 1956 Prima hit that Brian Setzer brought to fresh ears four decades
later. Manning’s solid vocals were especially effective on that one, as well as
“What a Difference a Day Made,” “I Can’t Live Without You” and the Al Green hit
“Let’s Stay Together.”
Suffice
it to say that you won’t find a jazz atmosphere like this anywhere else in the
region. It was enhanced by a visual mood-setter: three walls of shifting classic
black-and-white images of varied jazz greats from across the decades.
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| The Roy Gerson Swingtet |
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| Dancing is encouraged |
