Taking a look at new CD projects by Ken Fowser, the Eric Hargett trio, Kirk MacDonald, and Omar Sosa & Paolo Fresu.…
Ken Fowser, Standing Tall (Posi-Tone)
If
you dug the funky grooves and unbridled swing of some of the great jazz
quintets of the 1960s – think the Adderley Brothers and Horace Silver’s bands –
chances are you’ll very much dig the contemporary tangent offered by tenor
saxophonist Ken Fowser. His 2016 release Standing
Tall is a gem. His exploration of a dozen original tunes is also a showcase
for the chemistry and chops of his working band with trumpeter Josh Bruneau,
pianist Rick Germanson, bassist Paul Gill and drummer Jason Tiemann. Favorite
tracks: the title track, “Head Start,” the pensive “Filling in the Blanks,” the
gorgeous ballad “Hanging On” and the McCoy Tyner’ish ”More For Red.” The
closing track, “Somebody Got to Do It,” is loaded with Horace Silver swagger.
Eric Hargett Trio, Steppin’ Up (Whaling City Sound)
For
a debut recording, saxophonist Eric Hargett has splendid company in his
trio-mates, B-3 player Joey DeFrancesco and drummer Gerry Gibbs. With a bit
more maturity as a player, he may even grow out of the tendency to over-play.
Too often, it feels like he never took heed of Miles Davis’ wisdom that what
you don’t play is even more important than what you do play. Occasionally, the
notes pouring forth from his tenor or baritone sax carry the moment. How can
you not want to burn trough a melody when there’s a searing B-3 solo right
around the corner? Hargett rarely lets up. But he does rein it in substantially
on two lovely ballads – “You Don’t Know What Love Is” and his own “Myra’s Song.”
On the latter, Los Angeles-based Hargett also doubles on vibes. This is a young
talent to keep an eye on. 
Toronto-based
saxophonist Kirk MacDonald recorded this fine group in 2013 but the session
initially was released just in Canada. Fortunately, Addo Records decided to
distribute it internationally this year. MacDonald’s quintet includes trumpeter
Tom Harrell, pianist Brian Dickinson, bassist Neil Swainson and drummer Dennis
Mackrel. For this, MacDonald’s 13th recording session as a leader, the
saxophonist decided to write material that emerged from his conceptions of “symmetry”
in music. The entire CD is quite powerful. The true gem is its longest
exploration – a bubbling 9:36 take called “Mackrel’s Groove.” This session is proof that quality jazz is
timeless – and has an inherent freshness.
Omar Sosa & Paolo
Fresu, Eros (Otá)
Pianist
Omar Sosa and trumpeter Paolo Fresu have developed a most simpatico musical
relationship. Their latest project is a suite of music that focuses on the
facets and mysteries of love. While the session’s participants also include
cellist Jacques Morelenbaum and Maghreb singer Natacha Atlas, plus Italy’s Alborada
String Quartet, it is Fresu and Sosa whose musical personalities dominate. At
times, their collaboration draws aural comparison to the electronic jazz that
fascinated Miles Davis in the mid-to-late 1980s. Favorite tracks: Fresu’s
compositions””Zeus’ Desires” and Eros Mediterraneo,” Sosa’s “La Llamada” and
their exquisite instrumental cover of Peter Gabriel’s “What Lies Ahead.” This is a September 16 release
